Evolution of Jack's Character Depicted in Golding's Novel, The Lord of the Flies

At the start of the book Jack is clearly still confined by society’s rules and still wants to be seen as good. We know this as in the scene where he catches a pig he struggles

At the beginning of the novel, Golding describes Jack's physical appearance as "inside the floating cloak he was tall, thin and bony;

First of all, Jack prioritizes savagery over order and civilization unlike Ralph. He is the main catalyst that sparks the boys’ descent into savagery with the exception of Ralph, Simon and Piggy. He is able to make the boys addicted to bloodlust, in a short matter of time. Without the rules and regulations of society, he never considered the protection of both the litteluns and the rest of the biguns, and continued to ruthlessly murder pigs. He doesn’t hunt pigs for food essential for survival, but rather for the joy of seeing the anguish of the pigs and their blood spilling all over. The quote, “Jack began to dance, and his laughter became a bloodthirsty snarling,” (Golding, p.64) shows that Jack is indeed becoming a savage monster with the laughter of a beast rather than a young innocent, choir boy. He is only concerned about his cruel desires, and becomes unable to see the others boys as human beings. He harms one of the boys

In this moment, Jack put white clay on one-half of his face and red on the other half. Jack put charcoal between the patches of red and white on his face and a mask on top of all of this. Jack put the clay on his face so he could disguise himself from the pig and creep up on it and stab it. The reader can tell that the mask is now controlling Jack and the other hunters because it said that “the mask compelled them” (64). This is significant because this is when Jack starts turning into an

Golding uses the characters from Lord of the Flies just as Shakespeare did to prove that man is turned to evil. The narrative illustrates a story about a group of British boys who get stranded on a deserted island without any adults. This lack of a stable society and presence of leadership forces the boys to create their own, and this works for the boys for a while. The boys turn themselves into savages and begin to do evil deeds which continue to get worse until they are rescued. In the time between their rescue, the society the boys create devolves and turns them into savages although this was not always the case. When the boys first arrived, Ralph, the fair haired boy, attempts to lead them in a civilized manner, but through the influence of Jack, many of the boys become evil. Jack mutants against Ralph saying, “ I'm not going to be a part of Ralph lot... I'm going off by myself. He can catch his own pigs. Anyone who wants to hunt when I do can come too,” (Golding 127) in saying this Jack has made most of the boys on the island betray their leader which proves both Jack and his followers to be evil. The society the boys created glorifies violence and death:“... the boys… found themselves eager to take part in this demented… society.” (Golding 152). Jack, the leader of the violent tribe, often takes his followers on gruesome hunts on which they graphicly disembowel the kill, and after the hunt, Jack leads a chant while the other boys stand

In the story “Lord of the flies” by William Golding a group of prepubescent boys are brought to by a plane crash. These boys explore their new setting and begin to rebel as they find out that there are no parents on the island. One of the most significant characters is a boy named Jack. Golding emphasizes the change in Jack's character to show how conformed citizens who know right and wrong can control their savage nature; however, once these societal rules are completely lost to Jack, this demonstrates that man’s nature is evil.

William Golding’s Lord of the Flies paints two stark and opposing images of reality. On the one hand, the novel suggests that certain characters have venerable attitudes, making them seem like the protagonists, like Simon or Piggy. This can be seen from the motivating forces behind Simon’s decisions, or by the civilized behavior portrayed by Piggy. On the other hand, the novel also suggests that a deep built-in mechanism exists in every human being, one that prioritizes survival over morality. Just by observation, the novel demonstrates Jack’s exercise of hunting instincts, his combat of the social recourse from Ralph, his influence on everyone else to join him, and his eventual takeover of the island. Of these two realities, William Golding's

Jack is Golding’s manifestation of man’s natural and inner evil. , He has with the will to dominate and harm others with little thought or reasoning behind his actions. Jack’s desire to hunt is made apparent in chapter 4 where he left the fire unattended to hunt a pig, as Ralph tells him he let the fire go out Jack only focuses on telling him about his hunt, “Ralph spoke “You let the fire go out.” Jack checked. vaguely irritated by his

Lord of the Flies by William Golding is a book set during World War 2 about a group of young boys having to fend for themselves on an island with no signs of civilization. Within the novel, there are many different themes, most conveying the ingrained evil within all human beings and the malevolent complexions of humanity. As the story advances, Golding manifests the continuous conversion of the boys from being civilized and methodical people to ferocious savages. The book can be expounded in terms of political and social allegory. Golding covers a myriad of details that evince two contrasting political factions. By analyzing the allegory of Jack and the beast it is

Jack tries hard to turn everyone against Ralph by saying “Hands up […] whoever wants Ralph not to be chief?” (118). Jack pushes boundaries throughout the whole book because he was not elected to be chief. He continuously tries to cast the group away from Ralph and begins to embrace savagery and violence. Once again Jack displays himself as the id when he is trying to lure the others away from Ralph so he can egotistically become in control of the group to get what he wants. Jack picks on Piggy throughout the whole novel making Piggy seem inferior to everyone; when Jack compares Ralph to Piggy, he is demoralizing him in front of the group and creating the illusion that he is weak. “[Ralph is] like Piggy. He says things like Piggy. He isn’t a proper chief.” (50). From the time Jack met Piggy; he made him look foolish to the group, even the littleuns disrespected him. Now that Jack compares Ralph to Piggy, he convinces the others that he is better fit as a leader than Ralph. Jack uses his hunting skills as a bribe to wean the others away from Ralph to his own tribe. “I gave you food […] and my hunters will protect you from the beast. Who will join my tribe?” (139). He tricks the other boys into thinking that he is going to be a better chief but they only go to his tribe because they are mortified of the beast. Jack uses their fear of the beast to control them. He makes his tribe sound so wonderful. Food and

In the story “Lord of the Flies” by William Golding, all the characters are faced with problems and change. An example of change that is very prominent throughout the story is from Jack. Through the book, Jack shows change in extreme ways. Although he believes he is doing what is best for the group, it is all for his selfish pleasure and the satisfaction of giving into the darkness that is inside all of the boys.

William Golding’s first novel, Lord of the Flies, presents his pessimistic views on society and our primitive instincts. He demonstrates this through the setting of an inhabited island where a group of British schoolboys have been stranded. The entire story becomes a symbol for the theme Golding is developing, about the darkness within humanity. Within Lord of the Flies, William Golding highlights the flaws of society back to the flaws within human instincts, through the characters of Jack, Roger and Simon.

n Lord of the Flies, William Golding uses two boys from the socially rigid country of England to illustrate the idea that, if left unchecked, the animalistic nature that resides deep within human beings will overcome society’s rules and morals. The true ethical nature of the boys becomes more noticeable as time passes. The author uses his characters to symbolize two different aspects of society. Ralph is the example of civilization and democracy, while Jack is the epitome of savagery and animalistic behavior. In addition to his depiction of the main characters, Golding uses different situations to highlight that human nature, free from the constraints of society, draws people away from reason and towards savagery.

Lord of the Flies, an allegorical novel by William Golding, holds truths about mankind’s true nature of existence. The novel explores the savagery in all men that lies dormant, yet when society’s rules cease to exist, the boy’s innocence perishes along with it. The boys attempt to band together and mock the society that they came from, but not understanding the complexity of the situation, results in their society falling into ruins. On the island the boys are returned to man’s primitive nature, without rules or discipline, and they slowly drift into anarchy. Without proper guidance, the boys resort to cloaking their innocence with body paint to survive. With the body paint coating their skin, the boys bury their old personas within and allow themselves to commit acts that society would frown upon. When Jack’s tribe uses the facade of body paint to dissociate themselves from civilization’s morals, they denote that hiding one’s true identity liberates them from the constraints of society.

Lord of the Flies, an allegorical novel by William Golding, holds truths about mankind’s true nature of existence. The novel explores the savagery in all men that lies dormant, yet when society’s rules cease to exist, the boy’s innocence perishes along with it. The boys attempt to band together and mock the society that they came from, but not understanding the complexity of the situation, results in their society falling into ruins. On the island the boys are returned to man’s primitive nature, without rules or discipline, and they slowly drift into anarchy. Without proper guidance, the boys resort to cloaking their innocence with body paint to survive. With the body paint coating their skin, the boys bury their old personas within and allow themselves to commit acts that society would frown upon. When Jack’s tribe uses the facade of body paint to dissociate themselves from civilization’s morals, they denote that hiding one’s true identity liberates them from the constraints of society.