| |
| 1 |
| Illiterate him, I say, quite from your memory. |
| The Rivals. Act i. Sc. 2. |
| 2 |
| T is safest in matrimony to begin with a little aversion. |
| The Rivals. Act i. Sc. 2. |
| 3 |
| A progeny of learning. |
| The Rivals. Act i. Sc. 2. |
| 4 |
| A circulating library in a town is as an evergreen tree of diabolical knowledge. |
| The Rivals. Act iii. Sc. 1. |
| 5 |
| He is the very pine-apple of politeness! |
| The Rivals. Act iii. Sc. 3. |
| 6 |
| If I reprehend anything in this world, it is the use of my oracular tongue, and a nice derangement of epitaphs! |
| The Rivals. Act iii. Sc. 3. |
| 7 |
| As headstrong as an allegory on the banks of the Nile. |
| The Rivals. Act iii. Sc. 3. |
| 8 |
| Too civil by half. |
| The Rivals. Act iii. Sc. 4. |
| 9 |
| Our ancestors are very good kind of folks; but they are the last people I should choose to have a visiting acquaintance with. |
| The Rivals. Act iv. Sc. 1. |
| 10 |
| No caparisons, miss, if you please. Caparisons dont become a young woman. |
| The Rivals. Act iv. Sc. 2. |
|
| |
|
| 11 |
| We will not anticipate the past; so mind, young people,our retrospection will be all to the future. |
| The Rivals. Act iv. Sc. 2. |
| 12 |
| You are not like Cerberus, three gentlemen at once, are you? |
| The Rivals. Act iv. Sc. 2. |
| 13 |
| The quarrel is a very pretty quarrel as it stands; we should only spoil it by trying to explain it. |
| The Rivals. Act iv. Sc. 3. |
| 14 |
| You re our enemy; lead the way, and we ll precede. |
| The Rivals. Act v. Sc. 1. |
| 15 |
| There s nothing like being used to a thing. 1 |
| The Rivals. Act v. Sc. 3. |
| 16 |
| As there are three of us come on purpose for the game, you wont be so cantankerous as to spoil the party by sitting out. |
| The Rivals. Act v. Sc. 3. |
| 17 |
| My valour is certainly going! it is sneaking off! I feel it oozing out, as it were, at the palm of my hands! |
| The Rivals. Act v. Sc. 3. |
| 18 |
| I own the soft impeachment. |
| The Rivals. Act v. Sc. 3. |
| 19 |
| Steal! to be sure they may; and, egad, serve your best thoughts as gypsies do stolen children,disfigure them to make em pass for their own. 2 |
| The Critic. Act i. Sc. 1. |
| 20 |
| The newspapers! Sir, they are the most villanous, licentious, abominable, infernal Not that I ever read them! No, I make it a rule never to look into a newspaper. |
| The Critic. Act i. Sc. 2. |
| 21 |
| Egad, I think the interpreter is the hardest to be understood of the two! |
| The Critic. Act i. Sc. 2. |
| 22 |
| Sheer necessity,the proper parent of an art so nearly allied to invention. |
| The Critic. Act i. Sc. 2. |
| 23 |
| No scandal about Queen Elizabeth, I hope? |
| The Critic. Act ii. Sc. 1. |
| 24 |
| Certainly nothing is unnatural that is not physically impossible. |
| The Critic. Act ii. Sc. 1. |
| 25 |
| Where they do agree on the stage, their unanimity is wonderful. |
| The Critic. Act ii. Sc. 2. |
| 26 |
| Inconsolable to the minuet in Ariadne. |
| The Critic. Act ii. Sc. 2. |
| 27 |
| The Spanish fleet thou canst not see, becauseit is not yet in sight! |
| The Critic. Act ii. Sc. 2. |
| 28 |
| An oyster may be crossed in love. |
| The Critic. Act iii. Sc. 1. |
| 29 |
| You shall see them on a beautiful quarto page, where a neat rivulet of text shall meander through a meadow of margin. |
| School for Scandal. Act i. Sc. 1. |
| 30 |
| Here is the whole set! a character dead at every word. |
| School for Scandal. Act ii. Sc. 2. |
| 31 |
| I leave my character behind me. |
| School for Scandal. Act ii. Sc. 2. |
| 32 |
Here s to the maiden of bashful fifteen; Here s to the widow of fifty; Here s to the flaunting, extravagant quean, And here s to the housewife that s thrifty! Let the toast pass; Drink to the lass; I ll warrant she ll prove an excuse for the glass. |
| School for Scandal. Act iii. Sc. 3. |
| 33 |
| An unforgiving eye, and a damned disinheriting countenance. |
| School for Scandal. Act v. Sc. 1. |
| 34 |
| It was an amiable weakness. 3 |
| School for Scandal. Act v. Sc. 1. |
| 35 |
I neer could any lustre see In eyes that would not look on me; I neer saw nectar on a lip But where my own did hope to sip. |
| The Duenna. Act i. Sc. 2. |
| 36 |
Had I a heart for falsehood framed, I neer could injure you. |
| The Duenna. Act i. Sc. 5. |
| 37 |
| Conscience has no more to do with gallantry than it has with politics. |
| The Duenna. Act ii. Sc. 4. |
| 38 |
While his off-heel, insidiously aside, Provokes the caper which he seems to chide. |
| Pizarro. The Prologue. |
| 39 |
| Such protection as vultures give to lambs. |
| Pizarro. Act ii. Sc. 2. |
| 40 |
| A life spent worthily should be measured by a nobler line,by deeds, not years. 4 |
| Pizarro. Act iv. Sc. 1. |
| 41 |
| The Right Honorable gentleman is indebted to his memory for his jests, and to his imagination for his facts. 5 |
| Speech in Reply to Mr. Dundas. Sheridaniana. |
| 42 |
You write with ease to show your breeding, But easy writing s curst hard reading. |
| Clios Protest. Life of Sheridan (Moore). Vol. i. p. 155. |