Upton Sinclair, ed. (18781968). The Cry for Justice: An Anthology of the Literature of Social Protest. 1915.
Acknowledgments
THE EDITOR has used his best efforts to ascertain what material in the present volume is protected by copyright. In all such cases he has obtained the permission of author and publisher for the use of the material. Such permission applies only to the present volume, and no one should assume the right to make any other use of it without seeking permission in turn. If there has been any failure upon the editors part to obtain a necessary consent, it is due solely to oversight, and he trusts that it may be overlooked. The following publishers have to be thanked for the permissions which they have kindly granted; the thanks applying also to the authors of the works.
Patrick MacGill, Songs of the Dead End. Harry Kemp, The Cry of Youth. Charles Hanson Towne, Manhattan. Hjalmar Bergström, Lynggaard & Co. Donald Lowrie, My Life in Prison. John G. Neihardt, Cry of the People. Frank Harris, The Bomb. Vachel Lindsay, The Eagle that is Forgotten and To the United States Senate. Frederik van Eeden, The Quest. Edwin Davies Schoonmaker, Trinity Church. Walter Lippman, A Preface to Politics. L. Andreyev, Savva. J. C. Underwood, Processionals. Bliss Carman, The Rough Rider. Percy Adams Hutchison, The Swordless Christ.
Frank Norris, The Octopus. Helen Keller, Out of the Dark. Frederik van Eeden, Happy Humanity. Bouck White, The Call of the Carpenter. Alexander Irvine, From the Bottom Up. John D. Rockefeller, Random Reminiscences. G. Lowes Dickinson, Letters from a Chinese Official. Ben B. Lindsey and Harvey J. OHiggins, The Beast. Franklin P. Adams, By and Large. Edwin Markham, The Man with the Hoe and Other Poems. Gerald Stanley Lee, Crowds. Woodrow Wilson, The New Freedom.
William Vaughn Moody, Poems. Vida D. Scudder, Social Ideals. Florence Wilkinson Evans, The Ride Home. Peter Kropotkin, Mutual Aid and Memoirs of a Revolutionist. Helen G. Cone, Today. T. B. Aldrich, Poems. T. W. Higginson, Poems.
H. G. Wells, A Modern Utopia. Björnstjerne Björnson Beyond Human Power. Edith Wharton, The House of Mirth. John Galsworthy, A Motley. Maxim Gorky, Fóma Gordyéeff. J. M. Barrie, Farm Laborers. Walter Wyckoff, The Workers.
John Masefield, Dauber and A Consecration. Jack London, The People of the Abyss and Revolution. Robert Herrick, A Life for a Life. Israel Zangwill, Children of the Ghetto. Albert Edwards, A Mans World and Comrade Yetta. Walter Rauschenbusch, Christianity and the Social Crisis. Winston Churchill, The Inside of the Cup. Rabindranath Tagore, Gitanjali. Thorstein Veblen, The Theory of the Leisure Class. Edward Alsworth Ross, Sin and Society. W. J. Ghent, Socialism and Success. Vachel Lindsay, The Congo. Wilfrid Wilson Gibson, Fires. Percy Mackaye, The Present Hour. Robert Hunter, Violence and the Labor Movement. Ernest Poole, The Harbor.
Louis Untermeyer, Challenge. Richard Whiteing, No. 5 John Street. George Carter, Ballade of Misery and Iron. James Oppenheim, Songs for the New Age. H. G. Wells, In the Days of the Comet. Alex. Irvine, My Lady of the Chimney Corner. Edwin Björkman, Dinner à la Tango.
Robert Tressall, The Ragged Trousered Philanthropists. Wilhelm Lamszus, The Human Slaughter House. Olive Schreiner, Woman and Labor. Alfred Noyes, The Wine Press.
John Amid, The Tail of the World. Dana Burnet, Sisters of the Cross of Shame. Carl Sandburg, Buttons. J. E. Spingarn, Heloise sans Abelard. Louis Untermeyer, To a Supreme Court Judge.
WALTER SCOTT PUBLISHING CO. (P. P. SIMMONS CO., New York)
Joseph Skipsey, Mother Wept. Jethro Bithells translation of Verhaeren in Contemporary Belgian Poetry and of Dehmel in Contemporary German Poetry. Rimbauds Waifs and Strays in Contemporary French Poetry.
Acknowledgments have also to be made to the following artists, who have kindly consented to have their works used in the volume: Mahonri Young, Wm. Balfour Ker, Ryan Walker, Charles A. Winter, Abastenia Eberle, John Mowbray-Clarke, Isidore Konti, Walter Crane, and Will Dyson. Also to Life Publishing Co. and the New Age, London, for permission to use a drawing from their files.