A comparison of Sharon Olds’ “Still Life in Landscape” with Linda Pastan’s “I Am Learning to Abandon the World.” The poem “I Am Learning to Abandon the World” by Linda Pastan is closely similar in context with Sharon Olds’ “Still Life in Landscape.” Each of the two poems narrates an ordeal with the persona being the writer of the poem. The persona directly speaks to the audience. However, these two works differ in the number of lines, the length and appearance of each line and the entire apparition of the poems. The two authors employ a similar tone as both use a melancholic and reflective tone. The poets present their thoughts in a simple diction and understandable language. It is evident that both authors have an impeccable interest in narrating their story. Just like in the rest of the works, Sharon Olds’ poem, Still Life in Landscape, is presented on a confessional note. The speaker, who is the author, is a child. This child narrates about her experience as a witness of an accident caused by recklessness due to drunk driving. It is easy to tell from the line 1, “It was night, it had rained, there were pieces of cars and half-cars strewn,” that a terrible accident had happened on the road during that night. The poem presents a truthful meaning of how real reality is, and it can be elucidated and viewed via varying viewpoints by the audience, the child and the reader. The interpretation of the poem by the child is that it is a traumatic exposure to the raw life reality that likely cannot be undone nor can he forget the happenings of the night. The child seems to experience a true emotion of what exact reality is all through the context of the poem “Still Life in Landscape.” She witnesses horrible scenes at the site of the accident. She sees a woman wholly on her back touching the spine with the back of her head; lines 3-5, “a woman was lying on the highway, on her back, with her head curled back and tucked under her shoulders so the back of her head touched her spine” the child’s description of the crash site would cause an audience to feel query and shiver at the reality of what really happens around the world. The poem is structured with 26 lines and each line is of nearly equal length. There is fluidity
Dillard never fully states how or why she has decided to adopt this quality she learned from an animal, but instead discusses the topic more broadly in order for the idea to have more expansive applications. When discussing purity, necessity, and persistency, Dillard states, “I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you.” Not defining her necessity in life or the necessity she believes we should grasp tightly to, directly contributes to the intricacy of this essay. This statement could make her audience think, “How could I relate this to my life?” One could relate this idea to relationships in general, spiritual relationships, or relationships with themselves. The possibilities are endless. Dillard has used her personal experiences to communicate a compelling message of “living as we should”. In some ways, David Searcy also uses these methods to indirectly portray these thoughts of “living in the moment” in his essay “The Hudson River School.” Uncovering the title of Searcy’s essay is substantial in order to find meaning. The Hudson River School was a mid-nineteenth century American art movement by landscape painters whose aesthetic views were influenced by romanticism. A story about the death of a bothersome coyote prevails, but the same idea of connection to the world—rather than our
This, along with a large amount of enjambment makes the poem flow easily. It seems like it is a few longs lines, rather than five stanzas! When you read the poem aloud the sound makes you think of waves in the sea, going back and forth. In the first stanza, there is a lot of sibilance – repeating of the sound “s”. This sounds a lot like the waves.
The poem is written in free verse and therefore has no rhyme scheme, meter, or specific structure. It is eighteen lines long, but the eighteen
Poetry, by its very nature, comes from a place within of deep emotion and meaning for the writer. Some poets, such as Sharon Olds, utilize a confessional style that connects their personal experiences to the reader as if confessing their inner thoughts and feelings directly in an almost testimonial fashion. In her poems “After Making Love in Winter” and “Still Life in Landscape,” Sharon Olds utilizes poetic elements of setting and imagery to support a theme to convey her inner self in a way that resonates with readers on a personal level.
only three short stanzas. By keeping it short he also allows the reader to interpret the poem
he is a musician, and the books he has collected for perusal indicate he is
The piece I will be writing today is a journal in response to the prompt ‘Ultimately our ties to our landscape shapes our identity’. This piece will appear in an anthology of student writings on the context Imaginative Landscape published by VCAA in order to give other VCE students studying imaginative landscape insight into the ways they can creatively approach a context prompt. The piece is intended to show the reader that our landscape does shape who we are but what we make of our experience is what ultimately builds our identity. Life is going to have it ups and downs. Going through bad times or even good things in life, it doesn’t define you, but what you perceive of it decides whether you grow or shrivel under stress. Our level of connectedness
I had trouble creating a sad poem with a calming tone. It was hard to express unhappy emotions over running that is still present in my life and something I love. On the other hand, Shapiro’s work stemmed out of the loss of Rudy Burckhardt. This is where I took some liberties with my imitation. Although sad emotions were expressed in the original, I did not find it fitting for my poem. I found my topic to be more lighthearted. I thought it was more important to reflect my love the way I intended it to be rather than try to conform to one part of the original poem. However, the sad emotions expressed in Shapiro’s work did originally force me to think of a topic that was extremely meaningful to me but that could also be shaped. I used the change of seasons to reflect the natural world in my poem. This stemmed from the landscape images that Shapiro was able to create through the use of snow and other
The landscape of The Road is constructed with the repetition of words like dark and ashes to create the sense of a “desolate country” built from the remains of what existed prior to it. Mrs. Mallard in The Story of an Hour looks out her window to a landscape that is described as blooming with the “new spring life” and “delicious breath of rain” which creates a sense of hope and happiness.
into the poem. The section of the poem that will be analyzed is the final ten lines (25-34). The
Poetry is a timeless form of art, where a function of poetry can be used to share a message, idea, or perspective that was written hundreds of years ago with the world we live in today. In the poems “Sadie and Maud”, “The Buried Life”, and “This Moment”, we witnessed three poems, written in three very different time periods, by very different poets, all portray very similar messages by using the poetic function of inspiration. Inspiration is something that surrounds all of us, and having the ability to find inspiration in timeless pieces of poetry is a tool we all can use, no matter what part of society, culture, or background we come
Sharon Olds is regarded as one of the contemporary leading poets. She is the winner of a variety of awards for writing emotionally based poems that depict political and family events. In this discussion, this paper will compare two of the Olds' poems “Still Life in Landscape” and "After Making Love in winter". Despite that the two poems have been written by the same author, there are existing differences that cannot go unnoticed.
The poem "Poetry of Departures" is concerned with the boredom that living in the same routine every single day brings. It deals with fantasies of departure and escaping from that boring life to explore new ways of living. But, in the end the poem dismisses those idea of departure as mere fantasies or "artificial" as the poem says. In the first verse of the poem "Sometimes you hear, fifth-hand, As epitaph: He chucked up everything And just cleared off, And always the voice will sound Certain you approve This audacious, purifying, Elemental move." the author approves of the idea of departuring or escaping from the daily life by calling such an act "This audacious, purifying, Elemental move".
Analyzing different mediums can enhance an individual’s overall appreciation and understanding of a particular idea or story. While analysis of a painting can reveal the mood of the artwork, an analysis of a poem can reveal the author’s tone. Much more than that, analysis provides an opportunity to explore each work in an attempt to understand human nature through each author’s perspective. While exploring the painting “Landscape with the Fall of Icarus” by Pieter Brueghel and the poem “Landscape with the Fall of Icarus” by William Carlos Williams, a universal truth presents itself. The thematic idea of others focusing on the details of their own lives while they fail to notice crises in others’ lives becomes apparent in both mediums. This showcases a level of human nature that both Brueghel and Williams attuned themselves to and explored in their work.
It is indisputable that the most engaging writers are those who reflect upon some of their own deepest feelings throughout their texts and make themselves known to the reader. Janet Frame interweaves her classic cynical style of writing into her poems ‘Rain on the Roof’, ‘The Tree’ and ‘The Chrysalids’ and explores many of the unspoken, hard truths of humanity. Frame characteristically utilizes language techniques of first-person narration, vivid imagery with references to nature and extended metaphors to express her ideas of conformity, guilt, and suffering- all of which revolve around the enigmatic side to humanity which often goes untold in literature. Frame ingrains some of her own emotions and experiences into these texts which enables readers to connect to her writing on a personal level and identify more specifically with her disposition.