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Analysis Of There Will Come Soft Rains By Ray Bradbury

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Having spent one’s entire childhood through war and bombings can inspire many ideas, both positive and negative. From the fear of a nuclear bomb to the proud feeling of witnessing the first American man on the moon, Ray Bradbury took his experiences during World War II and the International Space Race and transformed them into literary pieces, such as “There Will Come Soft Rains”, “The Sound of Thunder”, and “The Pedestrian”. In these short stories, Bradbury includes elements of his own life into the plot, creating a message of caution to the readers through his riveting genre of dystopia. Some topics he stresses include time, technology, and its possible threats to human interaction. Through Bradbury’s unique style, he encapsulates the major issue of the rapid development in society and how it affects people in a social aspect. As new technology and science is innovated, there are many people who debate whether or not it can have harmful side effects to mankind. Among these three short stories, Bradbury uses the stylistic techniques of diction, imagery, and figurative language to convey that as society progresses through time, people lose their sense of humanity. In the short story “There Will Come Soft Rains”, Ray Bradbury uses the concepts of emptiness and loneliness to portray a lack of human interaction. Through the story’s diction, readers can understand that the development of technology has lead to the downfall of mankind, thus blocking off human interaction. For example, Bradbury uses the timestamps, such as “Eight-one, tick tock, eight-one o'clock” (1) to convey this emptiness throughout the house. This repetition throughout story further emphasizes how the house took control over the lives of the previous residents and didn’t live like a traditional, close-knit family. Moreover, Bradbury uses phrases like “no doors slammed” (1) and “no carpets took the soft tread of rubber heels” (1) to show how eve with with all the posh features to the house, no one is responding, one again representing the lack of humanity present in the house. In addition to the diction, Bradbury also incorporates this lack of humanity through imagery. He does this by describing the surrounding of the house and the former

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