Persepolis House Essay

Closely associated with the process of globalisation is the notion of ‘World cities’. World cities are those such as London, New York and Tokyo where urban function has moved beyond the national scale to become a part of the international and global system. They are centres of culture, economics, employment, tourism, transport and communications and have been referred to as the command centres of the World’s borderless economy.

Darius the great beginning construction in 518 BCE established Persepolis, the capital of ancient Persia. The reasons to its establishment is still consider a mystery but what we do know is that it was very important during

In American industrial cities, late 1800s, Poor neighborhood were not the best place to live. With poor living conditions, poor sanitation and crowded housing, many epidemics of infectious disease spread into the poor population and touched even the wealthy class. Cities such as New York were crowded and workers were living in tenements, which were often cramped, poorly lit and poorly aerated. Moreover, these tenements lacked of adequate plumbing, therefore waste was flooding in the public streets. Streets was crowded of waste and garbage. Population was poorly nourished and has a poor life hygiene like water pollution and poisoned food and milk. Accordingly, infectious disease was the common death reason. Big cities had known outbreaks of

The similarities and differences between the design, construction and environmental performance of a typical Mesopotamian ‘courtyard’ and a Roman ‘peristyle’ house

The Persepolis is a collection of palaces constructed by Darius I and his son Xerxes. Many celebrations and ceremonies were held

Xerxes had retired to Susa and Persepolis. He began to deplete the large amount of resources he had gathered by taxation by launching a large construction program. Darius architects had begun a giant Terrace of Apadana, a palace, and a treasury, in the capitol city of Persepolis. When Xerxes became king, he laid the enameled brick facing on the exterior of the Terrace of Apadana, and he finished the palace his father had begun. He built other monuments, including his old palace which was built southeast of his fathers, and similar to it in design, and a building called the Harem by archaeologists. This building is mysterious because it is a line of small identical rooms, speculated to have been used as Xerxes treasury. He also helped construct the Hall of a Hundred Columns, or Throne Room, but was only able to finish paving the base of the walls. All of these construction projects and buildings began the evolution towards a more large and pretentious style than that of

Samuel P. Huntington once said, “In the emerging world of ethnic conflict and civilizational clash, Western belief in the universality of Western culture suffers three problems: it is false; it is immoral; and it is dangerous.” Two contrasting beliefs have a tendency to cause conflicts. When groups of people have opposing views, dangerous confrontations will occur to see which view is dominant. The Islamic Revolution was blood ridden, violent, and incessant; the conservative sect of the population, which viewed religion as the proper and only reasonable way for society to operate, and the more liberal side of the population, which had far more westernized views clashed with each other. In Marjane’s Strapi’s graphic novel Persepolis, the

Is it a coincidence certain areas only consist of black civilians or white civilians? The articles “The City as a Growth Machine by Logan and Molotch, Minoritized Space by Michel Laguerre and The Construction of the Ghetto by Massey and Denton demonstrate segregation between racial backgrounds are divided into into specific neighborhoods that contributes as a benefit towards whites. I will be arguing how the theory of Karl Marx on estranged labor is related into these article but also Angela Harris theory on Critical racial theory contributes, clarifies and supports the author 's reasons on why segregation still exists among communities. I will be connecting argument by adding evidence to support my argument with Karl Marx and Angela Harris theory within the articles.

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.

Ever since man began building structures and settling land, art has manifested itself in our architectural creations. Whether it be to celebrate or worship a God or Gods, a grand sculpture to bury a powerful leader or remember them by, or to show a culture’s dedication to specific values, our architectural constructions have led to some of the finest art this Earth has ever seen. The Taj Mahal and Palace of Versailles are two great examples of such art. By examining each of these individually, and then comparing and contrasting them, it will become clear that no matter how different looking these buildings may be, they still serve the same purpose to the civilizations that erected them.

The great Minoan civilization of Crete formed around palaces such as those at Knossos, Phaestus, Ayia Triada, and Tyliossos. The extremely important Palace of Minos at Knossos gives us crucial evidence of a continuous architectural brilliance and highly developed artistic sense, bringing together all aspects of architectural style, art, and innovation during the Minoan period between 1700 BCE and 1580 BCE and continuing until the invasion of the Achaeans in the 12th century BCE (Britannica Encyclopedia). The most famous palace is the palace of Minos of Knossos which demonstrates a specific arrangement of blocks:

Cities are characterized by the patterns of streets and squares that define their arrangement, a concept that undergoes frequent changes since the establishment of cities 10,000 years ago. There are multitude factors that influence such changes with system of government, values, population size, values, artistic sensibility, building methods, design techniques, paving techniques, military considerations, and transport technology being the main determinants. Medieval architectural designs emphasized on rigid grid forms, that contemporary writers of the history of urban planning and design, assume the presence of grids even in plans where they exist in approximate forms. Absence of grids is often perceived as lack of planning. Nevertheless, it is critical to note that the complex patters of streets in medieval cities were neither random nor chaotic.

In her autobiographical comic Persepolis, Marjane Satrapi, within the first five pages of the book, tells the reader that she was born with religion. She immediately explains (in regards to the Islamic practice of veiling) that “I really didn’t know what to think about the veil. Deep down I was very religious but as a family we were very modern and avant-garde” (Persepolis, 2003, pg. 6). For western feminists, this ambivalence towards the veil has been a common topic of discourse. In secularized western countries, the veil is often viewed as a symbol of patriarchal oppression. In France (where Satrapi currently lives), for example, there have been numerous laws banning different forms of the veil (such as the burka and the niqab) with many critics, such as former French president Nicolas Sarkozy, arguing that they are “oppressive” and “not welcome” in France (“The Islamic veil across Europe,” 2014, pg. 1). This is the western view of the veil, but what do Muslim women think of the veil and the fundamentalist values that westerners often associate with it?

Designing a city from scratch is a remarkable thought experiment but ultimately fails at implementation because we always approach it from the perspective of “how can we create a new city that solves problems of existing cities.” It’s less a process driven by design and more by critique. Urban living has paved its way into modern society, yet the vision for a city has changed over time. Large settlements need planning to grow; yet differences in minds is what leads to the modifications of a city, in return makes a city so unique. Alterations in opinions are what thrives urban life, still these differences are what skews the view of how others see a city compared to myself. They say the eye of the beholder deems beauty; this could explain

What is the one thing you can do to make a design of a city a place rich in architectural conditions? To answer this shortly, it is not just one thing, but a combination of architectural elements that make a design successful. To make a city rich in urban conditions, various elements have to be shown throughout the city. In my opinion, a well organized city, is a city well structured with a successful design. To form such successful design elements such as urban pattern and hierarchy need to be taken into considerations, in that way every single aspect of architecture included in the design of a city brings will bring it closer to a spatially rich urban condition. Following, I have listed the main key elements, including Hierarchy of objects, Urban Pattern, and Public Space, and the reasons why they are necessary for an urban conditions to accomplish it’s purpose of enriching a designed city.