The building I chose to compare with the Art Deco period is the Café l’Aubette. This café shows the De Stijl movement that was designed by Theo van Doesburg. The café shows a lot of geometric patterns and is colorful to show a contemporary look to the building. The goal that Theo van Doesburg wanted to achieve in the café was to create a space that people feel like they are part of the painting on the walls that surround them. The exterior of the building is brick with minimum ornamentation and arched lower windows and square upper windows. The interior of the building is simple and shows no ornamentation and is decorated in the geometric colored panels on the walls. The building I chose to compare with the Café Aubette is Villa Paul Poiret
Two sculptures, among others, lie in the outskirts of the Franklin D. Murphy Sculpture Garden at UCLA. One of them, The Walking Man, is a bronze sculpture created by French sculptor Auguste Rodin in 1905. The other, made more than 100 years later, is T.E.U.C.L.A., a large scale steel sculpture made by minimalist sculptor Richard Serra. Although it may seem like these works have more differences than similarities, both emphasize the processes of their creation and are major movements away from the classical tradition of sculpture. However, The Walking Man and T.E.U.C.L.A. also differ in several aspects that reflect their respective artists’ personal portrayals of modern sculpture. These aspects include: mode of production, composition and the arrangement of volumes, the play of light and shadow, and visual experience. Together these elements of formal organization work together to convey meaning in both of these works. Rodin’s deliberate rejection of refinement and disregard for the direct translation of the unformed to formed in The Walking Man represent the process and spontaneity of reality, while Serra’s use of curvature and aperture in T.E.U.C.L.A. models the spaces people move through and the perceptive skills they use in life and nature.
Art is an incredible medium when used to its fullest potential. What I mean by that is; it has the capabilities to surround the viewer with its imagery and play with the emotions. Paintings are particulary effective in doing this through the use of color tones and ‘temperature’. For example; El Greco used a lot of blue and green throughout his body of work. The outcome is that the subject matter comes off as ghostly and perhaps a little alien. This is in high contrast to Georgia O’Keeffe’s desert paintings, which utilise reds, yellows, and browns to create a ‘warm’ and appealing landscape.
Art is able to transport its viewer through time and connect us as a community. Audiences are able to infer the content and context of the artwork. Art displayed through different mediums and about different topics can share many similarities and draw connections between one another. Exodus, created by Shelby Lechman (2015), uses oil paint on canvas to depict a young boy and father in a train car, leaving their home in Hungary during the time of the Hungarian Revolution (fig.1). Back into the Earth: Creation and the Interpretation of Meaning, created by Tamara Himmelspach (2015) is a series of 11 prints and a physical dress displaying the designer in a jingle dress representing the traditions of the Ojibwa culture
For the second art encounter I visited the Museum of Art at BYU and viewed the Andy Warhol and Pablo Picasso print exhibit.There were several other modernist artist on display in the exhibit, such as Lichtenstein and Kalloeitz, however Warhol and Picasso were the artist that are most talked about in this course. Both of these artist are considered to be modernist, however their works look very different. Andy Warhol’s iconic Marilyn Monroe print was on display showing the industrial, pop side of modernist art. Warhol’s art imitates the negative social norms of the time. His lowd use of neon color and choice of subject add to the growing popularity of veneration of celebrities. He also was one of the first artist to mass produce his art, adding
In the 1920's Art Deco was a popular form of art. It also influenced architecture, fashion, and furniture. Art Deco used bold geometric shapes and strong colors. It used concrete, smooth stone, and terracotta as materials. Art Deco represented modernism and a bright future.
Photography has come into existence due to the evolution of the renaissance craft, which often involved the artistic creation, and documentation of occasions, figures, and memories. Photography as a practice that consists of so many different styles and techniques that vary in regard to the school of photography being used. For example the Pictorialist thinks of photography as a type of fine art and therefore try to make it artistic by using pictures or visual images, which furthermore establishes their point that photography is an art or a form of fine art, on the other hand the Modernist has adapted to the modern techniques which has more focus on the sharp center of the image and using the camera as an instrument rather than seeing it as a canvass which is usually how pictorialists see it, and they also believe in creating very high quality images which
To get a brief idea of the architecture style and trends at the time the building was constructed, it is possible to consult the Art and Architecture section of a library. For example, the New York Public Library has such a division.
The Early vs. the High Renaissance - I've decided to go with Piero Della - Francesca Battista Sforza and Frederico Da Montefeltro vs. Raphael Agnelo Doni and Maddalena Strozzi. Paintings. Despite their many differences, there are also some similarities between the portraits made by these two artists. Discussing pg. 620 (20-31) Piero Della Francesca Battista Sforza and his wife and Frederico Da Montefeltro, an Italian artist during the Early Renaissance, Fifteenth Century in Uffizi, Florence. The artist showed the small panels that resembles Flemish painting in their detail luminosity, their record of surface and texture, and their vast landscapes. as mentioned on page (620) the reason why they are turned side ways is due to male in the portrait
During the 1930’s the federal government was the largest source of funds to artist through public art programs. This funding allowed the government to suppress certain subjects that were occurring on society at the time. An area the government suppressed art subject matter involved labor disputes that were occurring through the country. In the 1930’s an important issue that was taking public stage was workers attempting to unionize to better working conditions. In the 1930’s the labor force attempting to unionize faced a “unified opposition from a combination of industry and government forces” (pg.413) The federal government was able to suppress many painting showing this subject, but some artist were able to incorporate the topic into
Writers, painters, and other artists produced some of the greatest work in the nation's history. During the 1920s, the main styles of architecture that emerged were Art Deco and Modern architecture. The Art Deco development began in Paris, however rapidly spread around Europe and over to America. The style was created at Bauhaus, a school in Germany that got to be acclaimed for its approach to the motif.
The influences of any era is evident through artwork and architecture. During the Middle Ages the main influence was the church, this is evident through the focus on biblical and religious symbols. During the Renaissance the main focus was the study of people. This is shown through the increase in self portraits and classical antiquity-inspired buildings. The change between the Middle Ages and the Renaissance is best shown through the art and architecture, demonstrated specifically through an emphasis on religion and classical antiquity, both suggesting a clear cultural change. The culture of both of these eras was greatly shaped by the studies of humanism and theology.
An art movement inspired by nature, it’s vital force and never changing life cycle of birth, life, decay and death. The Art Nouveau became fashionable from about 1890 to the first world war. This aesthetic new art movement was concerned as new, hence it was named as “new art” – the Art Nouveau. It was also highly influenced by the Japonism, given a major boost in France, Paris and eventually spread across world. [1]
Art Has changed a lot over time. Art concepts such as the portrait still exist, however they are much more abstract than they have been in the past. Paintings like the Mona Lisa were great for their time and can be respected as a part of history. But new art of that style would likely bore people. Why might this be? One reason might be because we have seen it before. There is plenty of art of similar styles throughout history so why make more? Over time artist adjust and mix up their style of creating art, leading to new abstract art.
Art deco included luxury items as well as mass-produced products, but both wings had the intention to create modern and anti-traditional designs that illustrated wealth and elegance.
“Painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down. “- Francis Bacon. However when I learnt more about history of art and the way each movement and happenings in the world inspired artist to make new works, I was able to see much more than just a canvas with random paints and sketches. The interesting part about this concept is that each piece of art could be interpreted in many different ways. In contemporary art there isn’t right and wrong, each of us view and find different meanings and connections with artworks.