Controversial Views in Kate Chopin's The Awakening Essay

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

The story, The Awakening, is about Edna Pontellier’s internal conflict between her desire for independence and her need to remain a high-class member of society. When away on summer vacation Edna has the realization that she has control of her own life and begins to focus on her self and not what others think. During her awakening, Edna is faced with much resilience from her husband and friends and instead of becoming someone she is not, Edna Pontellier ends her own life as she sees it is her only option. The author, Kate Chopin, uses many characters to exemplify the conflicting ideals emerging in Edna; particularly Madame Ratignolle acts as a foil to Edna’s newfound persona, instead symbolizing the conservation of a traditional

Kate Chopin’s The Awakening controversial protagonist - Edna Pontellier - lives a personally unsatisfying life with her idealistically perfect husband; a marriage that exists solely on the satisfaction of the Creole society they live in. In the beginning of the novel, she starts to struggle with the dominance of her outer identity that consists of how everyone sees her as the beautiful wife to a perfect, rich husband. But, when she is alone or with Robert, she begins to self-reflect on her inner identity that consists of how she sees herself and the new, rebellious freedoms that she desires. In The Awakening, the frequent symbolization of birds and the manner with how Edna interacts with music and the different men in her life illustrates

Through the story Edna becomes more and more uneasy about not being able to do and have what she really wants. This can be shown from the beginning when she lets her children play by themselves and doesn’t miss her husband when he is away from home. Edna tried to be a good mother by becoming friends with an old fashioned woman, Madame Adèle Ratignolle, who devoted her life to her husband and children. However, when Edna was not around Madame Adèle Ratignolle, she forgot how to be like Adèle Ratignolle and instead busied herself with what was considered to be her “childish ways”. She would try to make herself as happy as possible; she was not her happiest with her husband and kids. When Edna discovered her passion for art, she embraced it and neglected her family even more so than before.

Edna realizes that "she had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles" (96). In the novel the struggle begins and it is against the demands of her husband and children. As she walks into the ocean at the end of the novel to escape her life she thinks, "they need not have thought that they could possess her, body and soul" (176). Emily Toth claims, "an escape from confinement is the overriding theme of The Awakening" (242). The primary means for this emotional confinement is the societal expectation, held over from the early Republican era of America, that "'the best way of a married woman to carry her points is to yield sometimes.'" Jan Lewis says that in early America "it was the wife who had to bend" (712). This remained true at the middle of the century when William Alcott declared "the balance of concession devolves on the wife. Whether the husband concede or not, she must" (32). Edna comes to understand that earlier in her life she followed this dictate without even thinking; she conceded in all cases, "not with any sense of submission or obedience to his compelling wishes, but unthinkingly, as we walk, move, sit, stand or go through the daily treadmill of the life which has been portioned out to us" (78). But she now realizes that this pattern was a mere treadmill whose path was always determined by

Many times however, her rebellion is seen as selfish childishness to others. Breaking the rules and finding her true happiness is what awakens Edna Pontellier and makes her different from the rest. She rebels against society by thinking differently, finding independence, doing what she wants without obeying her husband, moving out to her new "pigeon-house", and taking part in two adulterous affairs. Her climatic finale, her suicide, is her ultimate act of rebellion, not giving the ways of the world, her decision to finally be free. ‘‘She went on and on. She remembered the night she swam far out, and recalled the terror that seized her at the fear of being unable to regain the shore. She did not look back now, but went on and on, thinking of the blue-grass meadow that she had traversed when a little child, believing that it had no beginning and no end.’’ (Chopin, 120) All her rebellious actions are what make Edna such a controversial, yet influential woman till this

The Awakening was published in 1899, and it immediately created a controversy. Contemporaries of Kate Chopin (1851-1904) were shocked by her depiction of a woman with active sexual desires, who dares to leave her husband and have an affair. Instead of condemning her protagonist, Chopin maintains a neutral, non-judgmental tone throughout and appears to even condone her character's unconventional actions. Kate Chopin was socially ostracised after the publication of her novel, which was almost forgotten until the second half of the twentieth century.

In the story about Edna Pontellier a major theme is her omitted self discovery. In the story we can see how Chopin uses style, tone and content to make the reader understand how it was for a person challenging many of the beliefs of the society at the beginning of the twentieth century.

Kate Chopin’s The Awakening should be seen as depicting the discontentment that comes from self-gratification rather than the glorification of delighting in one’s fantasies. Chopin describes the central idea of one who is seeking to please her personal needs and desires and, in the process, neglects to notice how her actions affect others. The protagonist, Edna, is not able to find peace or happiness in the accepted daily life that a woman of her era and social status should have. The fulfilling of her desires could essentially cause social ostracism for her, her husband, and her children, yet she is unable to find repose in living the typical social Victorian life. The final resolve of her “awakening”

The Awakening begins in the vacation spot of Grand Isle. At first we believe that Grand Isle is a utopia, wealthy families relaxing at oceanside, but it is here where Edna first begins to realize her unhappiness. The first sign of dissatisfaction is when Edna allows herself to feel that her marriage is unsatisfying, yet she must agree with the other women that Leonce Pontellier is the perfect husband. Edna asks herself that if she has a good husband

Chopin's The Awakening is full of symbolism.  Rather than hit the reader on the head with blunt literalism, Chopin uses symbols to relay subtle ideas.  Within each narrative segment, Chopin provides a symbol that the reader must fully understand in order to appreciate the novel as a whole.  I will attempt to dissect some of the major symbols and give possible explanations as to their importance within the text.

Finally, her decision to commit suicide can also be interpreted in several ways which come to my assistance to reaffirm the thesis statement that Edna does not reject her children but rejects her mother image. Her decision to commit suicide can be an act of cowardice, because, she finds herself all alone opposed in every way not to be what she wants to be. This proves that she hates the society that binds her in an unrealistic world that does not befit her nature. She does not want to be confined to the society and that she sees death as an escape from the society which is accompanied by the repercussion that she has to leave her children too (The Awakening: Themes, Motifs, & Symbols, n.d.).

By giving her children a sense of independance early which may enable them for success later on. While other children of the times may have a pseudo unhealthy reliance on a mother, much like Robert's brother Victor who still lives at home. Another more risky thing she did was make a statement that most women even now wouldn't agree with. Edna states: “I would give up the unessential; I would give up my money, I would give my life for my children; but I wouldn't give myself.”(Chopin 47) This statement holds quite a lot of weight in the way we can view edna. Some may call her selfish for a lack of an undying love for her children. But I view it as brutal honesty. The fact that edna is coming to this conclusion and fighting the ever pushing stream of society really shows how she is trying to fight. Giving up one's self is a very dangerous thing to do. For once you give too much you can lose who you are. But too little and people can lose sight of what you can be/who you are. As a mother edna realizes this and decides to make herself known in a different way than as a mother-woman.

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

From even the first few chapters of the novel it is evident that Edna is becoming aware of her concealed wants and desires as she begins to distance herself from the society that she considers herself to be an outsider in. While walking in town Edna