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Culturally Reflective Essay

Decent Essays

Introduction In this paper, I explore the main methodological principles that shape my culturally responsive and emergent research design (Berryman, SooHoo, & Nevin, 2013; Nodelman, 2013). My meth-odological explorations reflect the research purpose and theoretical framework (Denzin, 2009; Leavy, 2014; Shugurova, 2015a). The purpose of my research is to describe and explore some of the local learning practices of a trans–Himalayan kingdom of Lo Mustang (Lo) before schooling was introduced in the 1950s (Reed & Reed, 1968; Shugurova, 2014a, 2015a). My rationale is to give voices to the local people and listen to their stories about their historical experience of learn-ing (Bowers, 2001; Gruenewald, 2003; Patton, 2002; Smith, 2012; Shugurova, …show more content…

My understanding of interbeing is subjective as “the capacity and ability to sense and feel everything in terms of the bond” (Bai, Scott, & Donald, 2009, p. 324). The inter-subjective context is axiological because it is “porous, relational, moving beyond what is solid and individualistic; it includes listening and viewing and calls us to attend to both self and other with respect, compassion, and care” (Walsh, Bickel, & Leggo, 2015, p. 5). Axiology is a reflexive process through which I become conscious of my own values (Spencer, Pryce, & Walsh, 2014). According to Leavy (2012), a/r/tographic situations create an axiology of interconnectivi-ty/interbeing with the artful authenticity that “invites us to actively, subjectively, and wholly en-gage with our work and the work of others from within” (p. 6). My a/r/tographic design is in-formed by my interbeing as an artist, researcher, and teacher (Shugurova, 2014a, 2014c). These roles create “dynamic living spaces of inquiry” (Springgay, Irwin, & Kind, 2005, p. 951). Within these intersubjective spaces of mutual understandings, I connect with the local generative themes and their historical meanings, experiences, and contexts (Freire, 1973a; Shugurova, 2015a). A/r/tography as a methodology of living situations, ethical relations, and new understandings embodies my critical paradigm in a responsive, reflexive, and recursive process that emphasizes deeper theorizing, praxis, and poesis during all research stages (Sinner et al.,

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