Examples Of Mental Deterioration In Macbeth

Macbeth is confused as he is arguing with himself on what he should do. He states reasons not to kill Duncan, because Macbeth is his noble kinsmen and the act would bring dishonor. However, he also states reason why he should kill him, because Macbeth will then become king and fulfill the witches ' fortune. Lady Macbeth, who appears in the beginning as the driving force for the murder of King Duncan, also develops internal conflict. At first, Lady Macbeth seems to be a woman of extreme confidence and will. But, as situations become more and more unstable in the play, guilt develops inside her. For instance, she exclaims; "Wash your hands. Put on your nightgown. / Look not so pale. I tell you again, Banquo 's / Burried; he cannot come out on 's grave" (Shakespeare V, ii, 65-67). Lady Macbeth sleepwalks and frets about her evil wrongdoings because she is extremely guilty of her influence on Macbeth to commit the murder. Lady Macbeth reacts emotionally and dwells on her actions as guilt eats at her soul.

After going through with the murder with Lady Macbeth 's support and help, Macbeth starts talking about hearing people crying out 'Murder! ' in their sleep. He soon comes to the realisation that he will never be able to sleep innocently again. At the thought of this Macbeth begins to lose control but Lady Macbeth manages to keep him sane. Lady Macbeth appears as if she is in control of the situation, but she is already showing signs of weakness especially as she needed supernatural assistance and alcohol to help her get through the crime.

During the famous sleepwalking scene in Macbeth, Lady Macbeth’s true feelings towards Duncan’s murder are revealed: “Out out damned spot I say! One: two why/ then tis time to do’t. Hell is murky! Fie, my lord, fie,/ a soldier and afeard. What we deed we fear who knows it when/ none can call our power to accompt” (174. 31-35). An established author, Thomas Thrasher, analyzes Lady Macbeth’s sinful actions. He evaluates, “Whatever the case of Lady Macbeth’s ambition, she ultimately succumbs to the guilt that he feels over Duncan’s death” (Thrasher 77). In the result to King Duncan’s death, Lady Macbeth’s failure to resist being violent led to a guilty conscious and unstable feeling. The corruption that Lady Macbeth has experienced and brought onto herself has led to her

In Shakespeare’s Macbeth, the title character Macbeth and his wife are both exceptionally ambitious, often taking rather radical measures to accomplish their goals. While this ruthless drive to power is seemingly prosperous at first, it quickly crumbles to naught as guilt infects their minds with grim consequences to follow. Macbeth transforms from a noble general to a guilt-ridden and despaired murderer, while Lady Macbeth’s usually stoic and masculine persona deteriorates into a pitiful and anxious shell of her former self. The feeling of remorse quickly plagues the two characters and overpowers ambition through manifesting itself through nightmares, ghosts, and paranoia, and ultimately leads to their demise.

Lady Macbeth’s strength of will persists through the murder of King Duncan as it is she who tries to calm Macbeth after committing the crime by declaring confidently that, “a little water clears us of this deed,” (2.2.67). Afterward, however, Lady Macbeth’s strong and ambitious character begins to deteriorate into madness. Her first sign of weakness occurred when she confessed that she could not have killed the king, revealing a natural woman’s feelings, “had he not resembled my father as he slept, I had done’t” (2.2.13-14). Just as ambition has affected her before more so then Macbeth before the crime, the guilt plagues her now more effectively afterward as she desperately tried to wash away the invisible blood from her sin, “Here’s the smell of the blood still: all the perfume of Arabia will not sweeten this little hand,” (5.1.48-49). Lady Macbeth’s

Blood, whether it be the color, smell, or importance is vital to life itself. However, almost exceeding the importance of physical blood is the imagery of blood found throughout William Shakespeare's, Macbeth. The continual presence of blood in Shakespeare's, Macbeth is constantly reminding the audience how significant the consequences of the characters actions are. The imagery of blood in Shakespeare's, Macbeth represents the guilt felt by Macbeth and Lady Macbeth due to their brutal actions, thus developing the theme ‘the corrupting power of unchecked ambition’. As their guilt grows, so does the importance of the blood imagery and how it haunts both characters, staining their soul.

William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play.

Blood coats the play Macbeth from the beginning to end. It plays an important part in this play and is mentioned over 40 times. (english) Blood itself is a source of life and shocking to see. The constant presence of blood in Macbeth repeatedly reminds the audience about how serious the consequences of the characters actions are. The blood remains on the hands of faces of the murderers. They are unable to remove the feel , or stain of the blood therefore showing their immense guilt. Just before he kills King Duncan,

Lady Macbeth gives Macbeth the first push to kill Duncan, and she wants to be ruthless, feel no remorse so that she and her husband will successfully kill Duncan. She desires to “stop up th’ access and passage to remorse” (Shakespeare 1.5.51) so that she will not feel bad about the murder. She persuades Macbeth to kill Duncan, but he struggles afterward when he does not follow the plan and forgets to put back the daggers he cannot face the evil act he has committed. Lady Macbeth is satisfied after Macbeth is king, but that is not enough for him any longer. Eventually the killings take a toll on Macbeth’s mental state, and the guilt he begins to feel is unbearable. Macbeth kills Duncan and then says “this is a sorry sight”

However, Lady Macbeth’s conscious shines through as she is not able to kill a poor vulnerable man who looks like her father. She is thrown off guard be her reaction to Duncan’s face. She does not expect to feel any remorse toward the old man but she does. After Macbeth kills Duncan, Lady Macbeth regains her cruel nature and quickly takes the dagger from him to frame the guards, “Give me the daggers. The sleeping and the dead/ Are but as pictures. ‘Tis the eye of childhood/ That fears a painted devil. If he do bleed, / I’ll gild the faces of the grooms withal, / For it must seem their guilt.”(68-72). Lady Macbeth shows no remorse or respect for the dead. Lady Macbeth cannot let her remorse control her because she knows that the only way to bring about the prophecy is to frame the guards. Lady Macbeth unsuccessfully attempts to block out the horrendous deeds she commits. The compassion Lady Macbeth shows for Duncan proves that the spirits did not remove her soul or kill her conscious, which will be her Achilles heel and lead to her death.

The mind of each and every individual is unique in its own special way; some, of which, are steadfast and can roll with the punches, while others bend, conform, or break with the many psychological and physical influences in life. In the play The Tragedy of Macbeth by William Shakespeare, Macbeth is introduced by the wounded sergeant as a person of battlefield valor and who showed great loyalty for his king, Duncan. His mind, at the time, expresses an authentic adamant and patriotic persona which seems hard to be swayed. It is later revealed that Macbeth expresses a lack in strength of character and is easily corrupted by his lust for power. Encouraged by his wife, nerve racked by the witches, and plagued by his thirst for authority, his

Before Duncan’s murder, Macbeth imagines that he sees a dagger floating in the air in front of him. (“And on thy blade and dungeon, gouts of blood, which was not so before. There’s no such thing: it is the bloody business which informs thus to mine eyes.” (Act 2 scene 1 lines 46-49). The blood imagery here refers to murder, ambition, and betrayal. This is a totally different meaning than earlier in the play. Before, blood was seen as a positive thing. Now, it is associated with evil. It also shows Macbeth’s transformation from a person of honesty, nobility, and bravery to an evil, deceitful person. After Macbeth murders Duncan, he starts to see how severe his crime was and tries to wash Duncan’s blood off his hands. (“Will all great Neptune’s ocean wash this blood clean from my hand? No; this my hand will rather the multitudinous seas incarnadine, making the green one red.”) Act 2 scene 2 lines 60-63. This shows that Macbeth’s character is starting to get weaker because of his crime. The blood does not represent a feeling of ambition; it now represents remorse, and guilt. Macbeth is so upset and says that not even all the water in the ocean will wash the blood off his hands. Duncan was a kind generous man and he had no

After Macbeth is crowned king, he fluctuates between fits of fevered action, in which he plots a series of murders to secure his throne, and moments of terrible guilt (as when Banquo’s ghost appears) and absolute pessimism (after his wife’s death, when he seems to succumb to despair). These fluctuations reflect the tragic tension within Macbeth: he is at once too ambitious to allow his conscience to stop him from murdering his way to the top and too conscientious to be happy in his new role as a murderer.

In act V scene I of Macbeth, Lady Macbeth is seen sleepwalking by her servants. She is in a panic over her permanently blood stained hands. The significance of this scene is the clear anguish Lady Macbeth feels in her role in the murder of King Duncan. Lady Macbeth says, "Here's the smell of blood still; all of the perfumes of Arabia will not sweeten this hand" (5.1.45-46). Evidently, Lady Macbeth is subconsciously aware that her actions were wrong, yet she defied her own principles by going through with the murder. Her downfall is her desire for power, which is overwhelmingly stronger than her morality.

Lady Macbeth indicates she is feeling guilt when she starts sleepwalking and talking to herself in her sleep. Directly after the murder of King Duncan, Lady Macbeth shows no signs that she is feeling any guilt. Days after however, Lady Macbeth starts talking about the murder in her sleep. During one of her episodes she states, “Out damned spot! Out, I say!... Yet who would have thought the old man to have so much blood in him?... What, will these hands ne’er be clean? No more o’ that my lord, no more o’ that! You mar all with this starting… Here’s the smell of blood still. All the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh!” (5.1 36, 40-41, 43-46, 51-53). Lady Macbeth feels guilty because she knows that she is the reason Macbeth went on a killing spree. King Duncan’s blood is now haunting her as well causing her to talk about her guilt in her slumber. Lady Macbeth’s emotional state due to her guilt results in her killing herself later in the play. Lady