Gangs of New York, an Example of Naturalism Essay

I give this movie a six out of five-star rating. How it managed to keep me on the edge of my seat the entire time is beyond me; I am still in disbelief that I was fully engaged for the entire two hours and twenty-six minutes. Although I had heard many great things about the novel, the film exceeded all of my expectations. The Natural teaches many valuable lessons about perseverance, determination, commitment, karma, relationships, and staying young at heart.

   The role of symbolism in Bernard Malamud's The Natural is important in helping the reader understand the theme and meaning of the novel as well as the time period in which it took place.  Malamud¡¦s use of symbolism defines the character of Roy Hobbs and shows how the events occurring around him affected his decisions and, eventually, his career.

Tim Burton’s gothic drama film Edward Scissorhands explores what is immoral with our society. A present issue with humanity is people who are different are encouraged to conform. In addition, society plays by the rules and follow societal norms rather than listening to their hearts. Most importantly, humans are cruel and exploit those who are vulnerable for their own benefit. Through the use of film techniques, Burton proposes the faults in humanity and the brutal nature of humans.

Determined to help his audience - people who stereotype against and do not understand gang life - find commonalities with gang members, Fr. Boyle shares his experiences with gangs in Los Angeles. At the beginning of the novel, Fr. Boyle articulates his thesis and expresses his purpose for sharing his experiences when he states, “Though this book does not concern itself with solving the gang problem, it does aspire to broaden the parameters of our kinship. It hopes not only to put a human face on the gang member, but to recognize our own wounds in the broken

Gangs of New York (2002), a bold and violent movie directed by Martin Scorsese takes us back to a New York without skyscrapers and modern-day lavishes that shows the rise of violent gang power and political corruption. Starring Leonardo DiCaprio and Daniel Day-Lewis, the film features a personal struggle placed within the context of gang warfare between Nativists and immigrants, which is set in the larger context of the Draft Riots and the Civil War. It is a reconstructed historical narrative that uses interlocking events filled with gang violence and political corruption to show how the modern New York was born.

The Gangster Disciples are still an active group in the United States (Mallory, 2012). There are members of the group in over 35 states and 70 U.S. cities (Mallory, 2012). Nearly 20,000 members reside in the city of Chicago, where the FBI considers this group a “major organized crime group” (Mallory, 2012, p. 208). The Gangster Disciples were formed after the death of the group’s original leaders, David Barksdale (Mallory, 2012). A young man who was already a member of the group, Larry Hoover become the new leader of the Gangster Disciples because he was a person that Barksdale watched over (Mallory, 2012). After his death, the group split into the Black Disciples and the Gangster Disciples (Mallory, 2012). The group became prone to violence

Picture Manhattan in 1860, a time before the city had been dolled up and gotten ready for the silver screen, before the glamour and allure took over. Amsterdam Vallan (DiCaprio) is a young Irish man that migrates to the USA at a young age. Amsterdam’s story takes place in Five Points District of New York, a filthy and dangerous part of the city before it was deleted form history. As a young boy Vallan witnessed his father’s murder at the hand of William Cutting or Bill the Butcher (Day-Lewis) during one of their many gang wars. As Amsterdam’s story progresses along side The Butcher they become inseparable, but Amsterdam had ulterior motive. Ultimately, Amsterdam attempts to betray his new found ally in order to avenge his father’s death.

“You can hire half the poor to kill the other half.” Boss Tweed spoke these words in reference to the Draft Riots. It shows that you can easily turn the poor against each other, if you bring money into the situation. Gangs of New York is about the separation of the Irish and the Natives, which eventually led into larger conflicts. In this film there are two important characters, Amsterdam Vallon and Boyle McGloin, who were both Irishmen in the Five Points. Amsterdam was the son of Priest Vallon and he became a positive Irish Leader who was looked up to by many. Boyle McGloin was an Irishmen who was a Dead Rabbit, but later joined Bill “The Butcher” Cutting and became a “Native”. The character

“Gangs have morphed from social organizations into full-fledged criminal enterprises” (Thomas, 2009, para 5). Gangs are highly sophisticated and more dangerous then ever. The number one reason to join a gang is money; and 95 percent of gangs profit comes from drug dealing

Kody Scott grew up in South Central L.A. during the nineteen-sixties and seventies, soon after the creation of the Crips. Raised in poverty without a father, and a full family raised solely by his mother, Kody Scott led the stereotypical “ghetto” life, a poor and broken home. However he does not blame this on his own personal decision to join the Crips while only eleven year’s old. The allure of the respect and “glory” that “bangers” got, along with the unity of the “set”(name for the specific gang) is what drew him into the gang. Once joined, he vowed to stay in the “set” for life, and claimed that banging was his life. After many years of still believing this, he eventually realized that the

The short story “Flood” by Daniel Alarcon, focuses on a town that is “flooded” with gang conflicts and the gangs are the ones who run the townspeople fate, despite what they do to escape the conflicts. In the short story a child is the narrator and although, children are portrayed as innocent; throughout “Flood” the children represent the contrary of that idea and the reader is able to recognize the “young gangster” in them. The setting of the story is significant because it is how the characters identify themselves and who they are as individuals. Whether the characters recognize themselves as gang members or innocent civilians, part of their everyday lives if overruled by the gangs, due to their ongoing conflict and disagreements over

Gangs have been occupied New York City for hundreds of years. In the 1950s, the city saw a rise of Latino immigrants from Latin America, the Caribbean, and notably Puerto Rico as well as a rise in gang violence. Leonard Bernstein’s musical West Side Story uses the real-world subject of gang warfare in New York City to depict a modern-day adaptation of Romeo and Juliet by playing into the ethnic divide between the two gangs, but in doing so it simultaneously acts as a medium through which the uninformed public can learn about the culture of the gangs from this time.

Street gangs in this country can probably be traced back to the first wave of Europeans who migrated to the colonies for a better life for themselves and their families. Many of the first gangs were formed as a means of self protection, with the thinking that there is simply strength in numbers. The missions of gangs in today’s society have grown and emerged to include many violent criminal avenues, including drug trafficking, prostitution, money laundering, and extortion but the original thinking that there is strength in numbers remains true. Criminology experts believe that the number of teens involved in gangs or gang activity may be as high as 1 in every 5 people in most urban areas. Those number jump to 1 in every 3 people in

With the introduction into gang life comes opportunities for wealth, women, status and power all with the convenient diffusion of any criminal or moral responsibility. Like any society, the secret world of criminal gangs has its own set of stringent expectations and rules that must be followed. In E. L. Doctorow’s Billy Bathgate, the secret world of Schultz’s New York gang empire is revealed through the eyes of the young protagonist, Billy Bathgate. During a time when the grave effects of the depression had trickled down into nearly every community, the opportunity to partake in the privy, elite, prosperous network posed by Schultz was the manifestation of all that Billy could hope for. In his short

The crucifix not only symbolizes Christianity, but also the afterlife, social order, and society’s acceptance of a deeper meaning. When the magistrate demands to know why Meursault continued to shoot the Arab’s body, he is unable to get the answer he wants. Meursault quietly observes when “he took out a silver crucifix which he brandished as he came toward me...Speaking very quickly and passionately, he told me that he believed in God, that it was his conviction that no man was so guilty that God did not forgive him, but in order for that to happen a man must repent and in so doing become like a child whose heart is open and ready to embrace all...He was waving his crucifix almost directly over my head” (68). Although the magistrate tries to be threatening, Meursault views him as being foolish because it didn't matter why he hesitated