Importance of Setting and Wallpaper in The Yellow Wallpaper The Room itself represents the author’s unconscious protective cell that has encased her mind, represented by the woman, for a very long time. This cell is slowly deteriorating and losing control of her thoughts. I believe that this room is set up as a self-defense mechanism when the author herself is put into the asylum. She sets this false wall up to protect her from actually becoming insane and the longer she is in there the more the wall paper begins to deteriorate. This finally leads to her defense weakening until she is left with just madness and insanity. All of the characters throughout the story represent real life people with altered roles in her mind. …show more content…
This shows the reader that she is not very stable because she imagines seeing people when there is no one there. With this in mind we are able to go deeper into the story and see what or whom the people really represent. The yellow wallpaper is a significant aspect of the story. It is the barrier that protects or wards off her potentially insane attributes and keeps them away. We are able to see why because the yellow wallpaper continues to deteriorate as the story progresses and so do her actions. At first she is actively involved in looking around and telling herself that she is not sick. When in reality she is in denial and cannot fully accept the fact that she has a really serious problem. The main setting we have to understand would be her room that she is living in and everything that surrounds her in this environment. I believe this room represents her mind and that she is locked in there because she is actually in an insane asylum. We can see that the room has special characteristics that would not be associated with a normal room. I believe this room is part of her subconscious mind and that she goes there to get away from the insane asylum she is currently staying in. “For the windows are barred for little children” (454), “and then that gate at the
However, the most important aspect of this room is the yellow wallpaper. The narrator despises it, loathing the colour and it’s pattern. She writes that it is “. . .dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions.” (Gilman). This description of the wallpaper serves the purpose to show the reader the unjust restrictions of society that the narrator is subjected to; “. . .commentators have seen in this description of the wallpaper a general representation of “the oppressive structures of society in which [the narrator] finds herself” (Madwoman 90), . . .” (Haney-Peritz 116). The statement of “dull enough to confuse the eye” and “constantly irritating and provoking study” are alluding to the narrator’s sense of inferiority and burden while the “lame and uncertain curves” are referencing the absurd suggestions that her husband is providing. Finally the “suicide” is the unfortunate fate that is destined to occur if his counsel is followed. When describing the wallpaper the narrator writes that “The color is repellent, almost
The narrator has a natural creativity that when left idol drives he insane. She is forced to hide he anxieties and fears which ultimately drives her to insanity. Even though she keeps a journal writing is in particularly off limits. Creativity was forbidden to her, John constantly reminds her to keep it contained. She even writes: “He says no one but myself can help me out of it, that I must use my will and self-control and not let any silly fancies run away with me.” She longs for an outlet for her repressed mind, going as far as to keep the journal, the one the audience is now privy to. She often refers to the journal as her only source of solace. As her sanity deteriorates, her mind starts to imagine things. The wallpaper becomes her outlet for this creativity. She begins describing the mansion as haunted and starts seeing a woman in the walls. She describes this saying: “The dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don't like it a bit. I wonder-I begin to think - I wish John would take we away from here!” Her natural eventually becomes so repressed it drives her
The vivid descriptions in “The Yellow Wallpaper” help to bring the reader along in the narrators decent into a kind of psychosis. It starts mildly, with her describing the color of wallpaper as “repellant, almost revolting; a smoldering unclean yellow” (Gilman 528). As more time passes she begins to see more things in the paper such as “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes start at you,” and for it have “so much expression in an inanimate thing” (Gilman 592). As the pattern and descriptions get more twisted, we get visual clues of the madness that is slowly consuming the narrator. The color of the paper even begins to become a physical thing she can smell descried as, “creep[ing] all over the house...sulking...hiding...lying in wait for me…It gets into my hair” (Gilman 534). In the end we get a graphic visual representation of her full psychosis
In The Yellow Wallpaper, the heroine has become completely isolated and led into a state of insanity. As she is suffering from post partum depression, her husband has taken her treatment into his own hands and has prescribed the rest cure. During this time, the heroine is taken to a summer mansion where her rest will be
At the start of our story, our narrator states that she is sick, per say of her Husband and her brother who are both doctors. John recommends a rest cure, which means that she will be confined to her room with no stimulus to the mind or body. Since she just had a baby, she could be suffering from post-partum depression, in which a rest cure is the worst thing to do for that. She notes some surroundings of the room and among the seemingly ominous descriptions she notices the yellow colored wallpaper. The wallpaper, bright in places and faded in others, makes her feel uncomfortable. She
The narrator in “The Yellow Wallpaper” is told she needs to rest constantly to overcome her sickness, so she is forced to stay in the old nursery where there is yellow-orange wallpaper with a busy, obnoxious pattern that she hates. She tries to study the wallpaper to distinguish the pattern, and as time goes on she believes she sees a woman moving around in the background of the pattern. Also, during this period of time the character’s condition is worsening, because her husband is causing her mind to weaken by not allowing her to exert herself at all; he says she is not to think about her condition, walk through the garden or visit family. All she can do is sleep and trace the wallpaper, and being cooped up in the room causes her to begin hallucinating. The narrator sees the woman trying to escape from the wallpaper throughout the night, and she ultimately completely breaks down and believes that she is the woman.
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has
“The Yellow Wallpaper” is about Jane who has a “nervous condition” (postpartum depression) and her journey to madness. Not only was her husband a doctor, but she went to see a doctor as well who prescribed the “rest cure”. The “rest cure” meant that she was not allowed to write, have company, or do very much of anything at all. Her bedroom was on the top floor away from everyone else and it had bars on the windows, this all made her feel isolated from the rest of the world. Something that we would today find depressing even today. Jane begins to have a fixation on the yellow wallpaper in her bedroom and she believes that she sees a woman trapped behind the wallpaper. She
The woman in "The Yellow Wallpaper" is slowly deteriorating in mental state. When she first moves into the room in the old house, the wallpaper intrigues her. Its pattern entrances her and makes her wonder about its makeup. But slowly her obsession with the wallpaper grows, taking over all of
“The Yellow Wallpaper” tells of the journey into insanity (brought on by postpartum depression?) of a physician’s wife. Persuaded by her husband that there is nothing wrong with her, only temporary nervous depression, a diagnosis that is confirmed by her brother( Gilman, 647). What is telling is that she suspects perhaps her husband John is the reason she does not get well faster. She and/or we are led to believe that they have rented a colonial mansion for the summer for her to get well. She is however isolated in a home three miles from the village and on an island. (Gilman, 648). She wants to stay in the downstairs room with roses and pretty things, but her husband insists on the room at the top of the house ostensibly because it has room for two beds. But the room’s description of barred windows and walls with rings and things in them (Gilman, 648) could leads the reader one to conclude that this is his own private asylum, and not “a nursery first and then a playroom and gymnasium” (Gilman, 648) as the woman believes. It is this room, and more precisely the wallpaper in the room
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through
The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment. Since the wallpaper is always near her, the narrator begins to analyze the reasoning behind it. Over time, she begins to realize someone is behind the
Throughout the short story “The Yellow Wallpaper”, the work points out her insanity within the house, this is to help her prevent any self
"The Yellow Wallpaper" is a short story written by Charlotte Perkins Gilman in 1890 and eventually published in 1892 in the New England Magazine and in William Dean Howells' collection, Great Modern American Stories (Shumaker 94). The story was original not only because of its subject matter, but also because it is written in the form of a loosely connected journal. It follows the narrator's private thoughts which become increasingly more confusing. The structure consists of disjointed sentences as the narrator gradually descends more and more into her madness as her only escape from an oppressive husband and society.
To describe this the narrator frequently speaks about the dark and “blackout time”. I interpret the narrator mentioning that, “we have all known times when inanimate objects seemed to have almost a facial expression” as him being scared of not the dark but the demons he has seen before. However all these symbols of madness the narrator passes on the way to the cottage I see as something the narrator has already been through. It is the cottage that symbolizes the madness he’s about to fall into. Nothing seems to be well with the cottage since the narrator describes it as “very well blacked out” which I interpret as a dark symbol for the mad sickness waiting. One that has been through a sickness will know that it’s very hard to avoid. It could feel as if the sickness is dragging you into it until you are truly stuck. And we can find this happening with the narrator when he says “…, I can’t really describe how I reached the front door…”. It sounds as if a force, maybe the force of the sickness, was leading him forward. I would also like to point out the very last line, “…, I found myself inside and let it slam behind me.” , since I believe this shows the narrator falling into the sickness and as the door slams behind him there is no going