Langston Hughes and Religion Essay

Though never an official member of the Communist Party, Hughes, supported communism and defended the USSR through the 1940s. Hughes focused much of his effort into describing the life and experience of the black masses. He believed that social and racial problems were closely related to class conflicts, and that racial prejudice was only a manifestation of capitalism. In the early 1930s, a radical tone was pervasive in many of his works, especially in his volume of poetry entitled A New Song. One of the poems in the collection, for example, called for workers to rally in revolution with the words (1986): "Better that my blood makes one with the blood / Of all the struggling workers of the world - / Until the Red Armies of the International Proletariat / Their faces, black, white, olive, yellow, brown, / Unite to raise the blood-red flag that / Never will come down!" Because of many his views, and his impact on the black community, the white society of America at the time of the Harlem Renaissance and even years after labeled him as a radical. Interestingly enough, Hughes with his lifelong commitment to racial integration was rejected by 1960s radicals who considered him to be a part of the problem, rather than part of the solution.

Langston Hughes remains known as the most impressive, durable Negro writer in America. His tone of voice is as sure, and the manner he speaks with is original. During the twenties when most American poets were turning inward, writing obscure and esoteric poetry, Hughes was turning outward using language and themes, attitudes, and ideas familiar to anyone who had the ability simply to read. He often employs dialect distinctive of the black urban dweller or the rural black peasant. Throughout Langston Hughes career, he was aware of injustice and oppression, and used his poetry as a means of opposing them. James D. Tyms says, “Hughes writes lyric poems. But his “lyric” persona is often able to copy this social convention of the Negro Folk. Their use of the method of the ballad, to tell others how they feel” (191). Hughes lived as an

The well known poet Langston Hughes was an inspiring character during the Harlem Renaissance to provide a push for the black communities to fight for the rights they deserved. Hughes wrote his poetry to deliver important messages and provide support to the movements. When he was at a young age a teacher introduced him to poets Carl Sandburg and Walt Whitman, and they inspired him to start his own. Being a “darker brother,” as he called blacks, he experienced and wanted his rights, and that inspired him. Although literary critics felt that Langston Hughes portrayed an unattractive view of black life, the poems demonstrate reality. Hughes used the Blues and Jazz to add effect to his work as well as his extravagant word use and literary

Langston Hughes was the leading voice of African American people in his time, speaking through his poetry to represent blacks. His Influence through his poems are seen widely not just by blacks but by those who enjoy poetry in other races and social classes. Hughes poems, Harlem, The Negro speaks of rivers, Theme for English B, and Negro are great examples of his output for the racial inequality between the blacks and whites. The relationship between whites and blacks are rooted in America's history for the good and the bad. Hughes poems bring the history at large and present them in a proud manner. The injustice that blacks face because of their history of once being in bondage is something they are constantly reminded and ridiculed for but must overcome and bring to light that the thoughts of slavery and inequality will be a lesson and something to remember for a different future where that kind of prejudice is not found so widely.

Hughes was a great writer with much diversity in his types of writings. His poetry was a way for us to see a picture of urban life during the Harlem Renaissance, the habits, attitudes, and feelings of his oppressed people. These poems did more than reveal the pain of poverty, it also illustrated racial pride and dignity. “His main concern was the uplift of his people, whose strengths, resiliency, courage, and humor he wanted to record as part of the general American experience” (Wikipedia, Langston Hughes). Hughes was not ashamed of his heritage and his main theme, “black is beautiful,” was expressed and shared to the world through his poetry. During the literary movement, music was central to the cultural movement of the Harlem Renaissance, which was a main feature of Hughes’s poetry. He had an important technical influence by his emphasis on folk, jazz, and blues rhythms as the basis of his poetry of racial pride. Hughes used this unique style of writing because it was important to him to have the readers feel and experience what they were reading, “to recognize the covert rhetoric in lyric means to appreciate the overlap between emotive and discursive poetry. Rooted in song, the lyric reestablishes the ritual of human communion” (Miller 52).

Langston Hughes was a poet with many artistic abilities. His writing and drawings established the lifestyles of many African Americans during this time. In a poem called “I, Too” Hughes express his feelings as an African American, a brother, and someone who deserves to fit in society. He states “I, too sing America” (1039). Hughes saw himself as an individual who has a voice in America even though his skin is a little darker. In a poem called “Democracy” Hughes states: “I have as much right as the other fellow has to stand on my own two feet and own the land” (1043). Hughes was speaking for every African American whom were still dealing with segregation, racism, and freedom.

The upper-class blacks shunned the lower class viewing them as being “embarrassingly vulgar” (Dickinson 323). Overcoming African-American prejudice was a major focus in most of Hughes’ writing. For example, he wrote about the joys, sorrows and hopes of the black man in America (Dickinson 321). Not all of his writings were so encouraging however. Other themes Hughes wrote about include lynchings, rapes, discrimination, and Jim Crow Laws. He commented that when he felt bad, he wrote a great deal of poetry; when he was happy, he didn’t write any (Dickinson 321).

Hughes illustrates the reasons people do no like the Church today. Rev. Dorset, white or black, should have had compassion for Sargent. It is disappointing to see Rev. Dorset turned away Sargent, especially during the depression. A follower is a reflection of his/her leader and that is why everyone ignored and refused to help Sargeant. A Church has always been the place where anyone can be accepted. Christ says: "They have kept me nailed on the cross for nearly two thousand years(619)." This line symbolizes the stumbbling blocks that a congregation can cause to an individual. Although the congregational members have the power, their power was not enough to keep the Church together. As long as racism exists in a society, the oppressor and the oppressed will be bound and never free.

Langston Hughes, born on February 1, 1902, was an American poet, novelist, and social activist. His work depicts the hardships and poverty of the Negro life in America. Langston became one of the most popular writers during the Harlem Renaissance. His books include The Negro Mother (1931), The Ways of White Folks (1934), The Big Sea (1940), and etc. Salvation, a short chapter in The Big Sea, describes a horrific event in Hughes’s early life as he approaches the age of 13. Hughes attended his Auntie Reed’s church to be saved from sin, but he was not really saved. He encounters the lost of hope and faith in Jesus; which will cause him to question about religion. In a chapter in Langston Hughes’s autobiography The Big Sea (1940) called Salvation, Hughes regrets his decision to stand up and get “saved” at the revival.

James Mercer Langston Hughes was born in Joplin, Missouri, on February 1, 1902, to James Nathaniel Hughes, a lawyer and businessman, and Carrie Mercer (Langston) Hughes, a teacher. The couple separated shortly thereafter. James Hughes was, by his son’s account, a cold man who hated blacks (and hated himself for being one), feeling that most of them deserved their ill fortune because of what he considered their ignorance and laziness. Langston’s youthful visits to him there, although sometimes for extended periods, were strained and painful. He attended Columbia University in 1921-22, and when he died he, left everything to three elderly women who had cared for him in his last illness,

In his life, his elders and people around him were “...descendants of slaves..” (Napierkowski 5). His ancestors had a slave and slave owner relationship so Hughes was handed the short-end of the “stick” of life. Because Hughes was neither completely African American nor was he completely white, Hughes was seen as an outcast or in better words, different. Hughes first hit the spotlight during the Harlem Renaissance when African-American culture was very prominent in society, music, and poems. During this time, people had an “urgent need to express a cultural identity” (Napierkowski 182). In most of his poems, Hughes shares the hardships of living in a society where African Americans were not thought of. “The southern legislatures,

Langston Hughes is one the most renowned and respected authors of twentieth century America not simply one of the most respected African-American authors, though he is certainly this as well, but one of the most respected authors of the period overall. A large part of the respect and admiration that the man and his work have garnered is due to the richness an complexity of Hughes' writing, both his poetry and his prose and even his non-fictions. In almost all of his texts, Hughes manages at once to develop and explore the many intricacies and interactions of the human condition and specifically of the experience growing up and living as a black individual in a white-dominated and explicitly anti-Black society while at the same time, while at the same time rendering his human characters and their emotions in a simple, straightforward, and immensely accessible fashion. Reading the complexity behind the surface simplicity of his works is at once enjoyable and edifying.

Langston Hughes was an influential leader toward many African American men, woman, and children in the 1920’s and 1930’s. Langston Hughes may not be as well-known for the civil rights movement as Martin Luther King Jr. was, but Hughes was capable of placing an everlasting impact on black culture during this period of civil rights unrest in the United States. Martin Luther King Jr. was an advocate for allowing the rights of African American people

Langston Hughes was an African American writer who took the literary world by storm in the twentieth century. Hughes was known for incorporating African American culture into his poems and plays. Langston Hughes did this so much so that per, "Masterplots II: African American Literature" he was "…recognized as the unofficial poet laureate of the African American urban experience…" (Niemi). Hughes has written several poems in his career. Most of them have a theme of racial pride incorporated somewhere in the poems. By analyzing Langston Hughes's writings, it can be inferred that the poems "The Negro Speaks of Rivers", "Negro" and "I, Too" all have the theme of racial pride.

In Langston Hughes 's autobiographical anecdote, “Salvation,” the author reflects on his childhood, and also examines the basis on which his religious views were founded. Hughes 's nonfiction piece, written in adulthood, allows him to look back on his past and reconsider what he learned about salvation, as well as organized religion and conformity, as a child. Because of this inquiry, he begins to question the ways in which adults pressure young people to conform to their views of religion, even without having the deep feeling of faith required. When people are young, they are often asked to conform to roles that they don’t really understand or think deeply about, and religious duty is thus carried on without a lot of free will. Langston Hughes divulges the hypocrisy and the fraudulent faith of the Church and its indoctrinated members through irony and his own indoctrination into his damning salvation. The church service pressures and bullies young Hughes into falsifying his salvation. This ceremony proves that the church values tradition over faith.