Zora Neale Hurston Sweat

From the very beginning, the reader notices the psychological and verbal abuse that Sykes puts on Delia. It was a Sunday and Delia decided to get ahead on her work for the week by separating piles of clothes by color. Fear then came

Knowing Zora Neale Hurston was a religious woman, it is no shock that throughout the “Sweat” there are many hidden Biblical references. One reference the story often makes is the snake. The snake is a reference to many things. It first, is a reference to the snake in the book of Genesis, where the devil tempts Eve. The snake also represents original sin and the darkness that comes in all of humanity. In “Sweat”, Delia is afraid of the snake, thus showing her fear of sin and darkness, portraying her as a strong Christian character. The snake can also be a connection to Christ. When the snake is first brought to the house it appears dead. It remains this way for three days, until it miraculously awakens (Carter 611). This relates to Christ when he is hung on the cross and buried. He

The Harlem Renaissance marked the coming out of many brilliant black authors and thinkers. Names like Jessie Redmon Fauset, Alain Locke, Ralph Waldo Ellison, Langston Hughes, and Zora Neale Hurston marked the scene. Hurton portrays many messages in her stories without having to explicitly spell it out. This among other reasons make Hurston's writing so rich. Two of her almost fable-like stories, "Sweat" and "The Gilded Six-Bits", each portray powerful messages individually. In "Sweat," you get a message of "whatever goes over the Devil's back, is got to come under his belly." You will reap what you sow among other messages. In "The Gilded Six-Bits," you learn that time will heal, money is the root of all evil, and other morals. These

     As she lies on her bed, Delia gains a moment of comfort, and a getaway from her great disdain. She is able to create a spiritual barrier from the mistreatments she receives from her unscrupulous husband. The bed is her Eden, her only resource for relaxation and a content being. Even the hamper in the bedroom is the only group of clothing that is considered neat and tidy, representing the cleanliness of the room. Everywhere else in the house, Sykes would step on and trample over the clothing Delia had to clean. He had no respect for his wife and her work. The bedroom used to be the only place that hadn’t been defiled by Sykes, until he slept with Bertha in it. Knowing of this travesty brings Delia over the edge.

The main character in Zora Neale Hurston’s “Sweat” is a black woman who resides in the South that clutches on to her belief in God to help her get through the suffering that she endures from her abusive and adulterous husband, Sykes. “Sweat” is full of religious symbolism that demonstrates that Hurston was using the theme of good vs. evil in the short story.

Zora Neale Hurston’s short story "Sweat" takes place in the 1920s in a small African American community in southern Florida. The story takes a look at a woman dominated by her husband, a common issue for many wives in the south during this time. Delia Jones, the protagonist in the story, is a hard-working woman who has bought her own home and supported her husband for fifteen years by taking in the laundry of white folks from the next town over. Delia’s husband Sykes does not value her or the work she does to support the both of them. Sykes has abused his wife for fifteen years and takes no shame in parading around his fat mistress for all to see. Sykes wants to get rid of Delia and take everything she’s ever worked for. Delia, though

     Zora Neale Hurston was a phenomenal woman. At the height of her success she was known as the “Queen of the Harlem Renaissance.” She came to overcome obstacles that were placed in front of her. Hurston rose from poverty to fame and lost it all at the time of her death. Zora had an unusual life; she was a child that was forced to grow up to fast. But despite Zora Neale Hurston’s unsettled life, she managed to surmount every obstacle to become one of the most profound authors of the century.

Zora Neale Hurston’s short story “Sweat” is about a woman, Delia who is physically and emotionally abused by her husband, Sykes, whose actions she struggles to overcome towards her. Through all the abuse, Delia takes pride in her hard work and her religion. In this story, Hurston uses religions and moral symbolism that controls the character’s actions throughout the plot.

Not only does he drain her financially, but he has also abused her mentally and emotionally for the most of their marriage. Delia reminds Sykes that all she does is "Sweat, sweat, sweat! Work and Sweat, cry and sweat, pray and sweat!" from the fifteen years she has been washing laundry and laments (Hurston 278). However, despite all the cruelty that is happening, the author still portrays her persona with great compassion. Delia has enormous love, but soon discovers that she has the capacity to hate as much as she loves which has developed from her long-suffering life with Sykes. The author creates Delia based off her own life of being a Christian woman, therefore, in the story "Sykes is clearly wrong throughout the story, and Delia is right in living out the principles of Christian love, tolerance, and humility" (Banks). The importance of this quote is that it puts Delia's character into perspective and reveals why the way she is. The author's beliefs and practices are demonstrated through Delia and explain her actions in the story.

Zora Neale Hurston is a remarkable author who reflects her life in most of her novels, short stories, and her essays. She was a writer during the Harlem Renaissance, also known as “the new negro movement”, however; her writings were not given proper recognition at first because they were not of the “norm” for that time period. All of the authors during the Harlem Renaissance were expected to write about race with a political mind set. Hurston was tired of seeing the same writings just different authors so her literary works were very different and were meant to stand out (Trudell). Among all of her abstracts, Sweat was a story of determination and oppression, with religion and strength as the backbone of

Although this angers Delia to hear, she simply reminds Sykes that she spends all of her time supporting them, and has done nothing but work, sweat, and pray for the fifteen years that she had been married to him. Delia eventually tells Sykes “Dat’s de reason Ah got mah letter from de church an’ moved mah membership to tuh Woodbridge – so Ah don’t haftuh take no sacrament wid yuh” (Hurston 569). Before she falls asleep that night, she reflects on the events of the evening, and finds some peace through her faith that Sykes would eventually get what is coming to him when she says aloud “Oh well, whatever goes over the Devil’s back, is got to come under his belly” (Hurston 565). It is also important to note that rather than give Sykes exactly what he has coming to him, Delia’s beliefs, both moral and religious, prevent her from taking action because she trusts that eventually God will take care of Sykes for the wrong he has done. We can see a bit of foreshadowing as to the fate of Sykes in the story when he assures everyone he is a snake charmer and can charm the deadly diamondback and says “Ah’m a snake charmer an’ knows how to handle ‘em. Shux, dat ain’t nothin’” (Hurston 568).

In “Sweat”, Hurston’s use of Sykes’s evil qualities illustrates the actions and the personality of the character Sykes. For example, Sykes has kicked the clothes around the ground because Delia refuses to stop cleaning white men’s clothes and kept working. Hurston’s description of how Sykes is threatening Delia as “Next time, Ah’m gointer kick’em outdoor!,” foregrounding his intimidation (Hurston 517). Snakes were known for being demanding to get what they want and Sykes used a ruthless tactic to hope that Delia would do what he wanted. Also, another illustration of his wicked qualities is shown when Merchant talks to the village men about Sykes seducing his wife with a basket of pecans. The description is described as “He's allus been crazy 'bout fat women, put in Merchant. He'd a' been tied up wid one long time ago if he could a' found one tub have him. Did Ah tell yuh 'bout him come sidlin' roun' mah wife-bringin' her a basket uh pee-cans outa his yard fuh a present? Yessir, mah wife! She tol' him tub take 'em right straight back home, cause Delia works so hard ovah dat washtub she reckon everything on de place taste lak sweat an' soapsuds. Ah jus' wisht Ah'd a' caught 'im 'roun' dere! Ah'd a' made his hips ketch on fiah down dat shell road,” emphasizes this fact (Hurston 519). The author makes use of Sykes’s womanizing ways to show that he tries to win the affection of Merchant’s wife instead of taking the pecans to Delia. His relationship is indifferent when it comes to romance toward Delia, which often

In the story “Sweat” by Zora Neale Hurston she talks about a lady that is independent. This lady’s name is Delia. She is married to Sykes who does abuse her and has a mistress named Bertha who he is trying to get her into Delia’s house. Delia is the one that does all the hard work while Sykes just sits at home. The symbols in this story help get the theme across which are domestic violence and empowerment. The three main symbols in this story each stand for a theme which is the snake portraying domestic violence, the Chinaberry tree and the title “Sweat” both portray empowerment.

The symbolism that is apparent in this story is the snake. Delia is terrified of snakes and her husband Sykes loves to tease her about her fear of snakes (Hurston, 1926). In the beginning of the story, while Delia is sorting clothes Sykes throws his big bull whip on her and she is terrified until she notices what it is (Hurston, 1926). Irony is shown in the story because even though Sykes brings the rattlesnake home to scare Delia off, it ends up killing him in the end (Hurston, 1926). The reader can also see the literary element of figurative language being used when Delia gets fed up with Sykes having the rattlesnake at their house and she begins to let him know how fed up she is of him: “Yo’ ole black hide don’t look lak nothin’ tuh me, but uh passle uh wrinkled up rubber, wid yo’ big ole yeahs flappin’ on each side lak uh paih uh buzzard wings (Hurston, 1926, para.49). Although the above example may be hard to read, it is a great example of similes being used in this short story.

There is a certain symbol in the story that ties everything together. There is a snake that Skye gives her in box. She hates snakes but she acts passively towards it. She will walk around it when it was left in the kitchen and not look at it. She will turn the other cheek as to say, and she will not acknowledge it. This passivity connects to how she acts towards Skye. She won’t tolerate it but she will leave it alone, same as what she does to Skye. Since Skye does not want to get rid of the snake, it also shows how he will not want to stop being verbally abusive to Delia. The snake is perceived to be a symbol of a biblical reference of good versus evil, having two faces, and deceiving. Ultimately, the snake comes back to get Skye.