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Literary Devices In The Lottery

Decent Essays

Have you ever heard of the saying, ¨never judge a book by its cover?¨ Or even been deceived by what may look like the truth? In Shirley Jackson's short story, ¨The Lottery¨, a normal, average village from the 1940´s has a tradition of playing the lottery, but in reality it is not about winning but about losing in order to live. In her other short story, ¨The Possibility of Evil¨, the protagonist, Miss Strangeworth, ends up being the antagonist of her town, causing the ¨evil¨ she believes she is ridding her people of. In order to make these unpredictable truths hidden in these societies, Jackson uses literary devices such as diction and irony in the same way to sense the realization of how different the material image turns into the concealed truth under it all. Foreshadowing, however, reveals differently of how these stories could end in a not so expected way. Both short stories convince the reader that they are learning about these towns that are well kept and prospering. Diction is one of the keys to setting the mood of the story. Words like ¨clear¨, ¨warmth¨, ¨boisterous¨, and ¨blossoming¨ from ¨The Lottery¨ allow one to assume that the setting of this story is someplace that is untroubled, nonviolent community(The Lottery). What the reader doesn't know is that the people are only gathered together to find out who will be this year's sacrifice to their god for a good year of farming. Similarly, in ¨The Possibility of Evil¨, Jackson uses descriptive words like ¨daintily¨, ¨fresh¨, ¨bright¨, and ¨delicately¨ in the same way as in her other short story to assure the audience that this town is completely ordinary. Yet, in the end, both stories have words like “nervously”, “humorously”, “sharply”, and “breathless” from “The Lottery”, and “harsh”, “wickedness”, and “silently” from “The Possibility of Evil” that turn the story into what was really the veracity of the story(The Lottery, The Possibility of Evil). The mood changes through the story due to the diction the author chooses. Authors will think of certain connotative diction that they know will make the reader start to have a deeper relationship/connection with the work. Another factor in Jackson’s short stories that help display the realization of the

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