The Things They Carried: Truth, Fiction, and Human Emotion There are many levels of truth in Tim O'Brien's The Things They Carried. This novel deals with story-telling as an act of communication and therapy, rather than a mere recital of fact. In the telling of war stories, and instruction in their telling, O'Brien shows that truth is unimportant in communicating human emotion through stories. O'Brien's writing style is so vivid, the reader frequently finds himself accepting the events and details of this novel as absolute fact. To contrast truth and fiction, the author inserts reminders that the stories are not fact, but are mere representations of human emotion incommunicable as fact. O'Brien's most direct …show more content…
This method of the author editorializing his own work brings an unquestionably real element into the fiction. O'Brien first uses this method with the first and second stories, The Things They Carried and Love. In Love, O'Brien brings the reader outside of the war, "many years after," and talks with Jimmy Cross, the Lieutenant protagonist in The Things They Carried. Like Norman Bowker from Good Form, Jimmy Cross asks Tim O'Brien (using his real name to further push the truth) to write a story about him. Again, as in Good Form, O'Brien lies to his friend. As Bowker requests his real name not be used, Cross says at the end of Love, "And do me a favor. Don't mention anything about-," and O'Brien replies, "No, I won't." O'Brien tells Cross he won't mention his sense of failure and guilt for the death of Ted Lavender, but he knows that this is the one part of the story which must be told. Even though Cross is not directly responsible for Lavender's death, he feels like he is. O'Brien realizes that giving Cross's guilt truth in the story communicates more precisely Cross's real human emotion. O'Brien gives his characters lives outside the story and dedicates his fiction to their memory. In On the Rainy River, for example, O'Brien writes that he never really thanked the old man
Throughout The Things They Carried, by Tim O’Brien it is difficult to separate what is fictitious, and what is true. During the entire work there are two different “truths”, which are “story truth” and “happening truth”. “Happening truth” is the actual events that happen, and is the foundation or time line on which the story is built on. “Story truth” is the molding or re-shaping of the “happening truth” that allows the story to be believable and enjoyable. It is not easy to distinguish “happening truth” from “story truth”, and at times during the novel O’brien reveals which is which. On the other hand, when the reader is blind to
In The Things They Carried by Tim O’Brien, O’Brien uses many short stories to describe his experience in Vietnam. The story that captured many aspects of writing was “How to Tell a True War Story” because it acts as a guide to writing a true story. O’Brien uses many different rhetorical strategies, narrative techniques, and establishes a theme in this story to help develop his characters and story line.
The power of the story has been very much a part of the lives of humans throughout time. The story is able to bring the past to the present and the dead to the living. The story can make the blind see. The story is able to make others feel for events in time that they have never experienced. The story has a profound effect on both the teller and the audience. As the audience is thought to be the beneficiary or the storytelling process, the teller is able to relive the times of old, or even teach a valuable lesson to his or her audience. Thus, allowing both parties to gain something intangible throughout this process. In “The Lives of the Dead,” O’Brien conveys the importance of storytelling and imagination by suggesting that the dead can be brought back to life in the minds of the people who hear it.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing
In The Things They Carried, Tim O 'Brien uses a variety of stories to explain the life experiences that he and many of his fellow soldiers endured during a single year in Vietnam. He tells these stories in a way that we can connect to these experiences. We never spent time in Vietnam, but O 'Brien wants us to feel like we were there. O 'Brien uses what he calls "story-truth" to write these stories. The outcome or the people may be different but the feeling is real; that 's the truth in the story, the feeling. He wants us to feel what he felt, see what he saw. He doesn 't just tell us what was happening exactly; he tells a fictional story that conveys the same emotion. He plays with the truth, that 's the reason why this book is a work of
The Things They Carried is a collection of stories about the Vietnam War that the author, Tim O’Brien, uses to convey his experiences and feelings about the war. The book is filled with stories about the men of Alpha Company and their lives in Vietnam and afterwards back in the United States. O’Brien captures the reader with graphic descriptions of the war that make one feel as if they were in Vietnam. The characters are unique and the reader feels sadness and compassion for them by the end of the novel. To O’Brien the novel is not only a compilation of stories, but also a release of the fears, sadness, and anger that he has felt because of the Vietnam War.
O’Brien’s unification of fact and fiction is to illustrate the idea in which the real accuracy of a war story is less significant than storytelling. The subjective truth about what the war meant and what it did to change the soldiers is more meaningful than the technical details of the
In The Things They Carried, Tim O’Brien uses the art of fabricating stories as a coping mechanism. Trying to distinguish the difference between fictional and factual stories is a challenge in this book, but literal truth cannot capture the real violence that the soldiers dealt with in Vietnam, only “story truth” can. He explains, “If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made victim of a very old and terrible lie.” (O’Brien 65). The novel illustrates that storytelling is a way to keep the dead alive, even if it may not be a true story.
The Things They Carried by Tim O'Brien expresses the importance of a story-truth, as opposed to a happening-truth by use of literary elements in his writing. The novel is about war and the guilt it leaves on everyone involved in the war. Story-truth is not exactly what happened, but uses part of the truth and part made up in order to express the truth of what emotion was felt, which an important thematic element in the novel is. The three literary devices he uses to express this are diction, imagery, juxtaposition, and hyperbole. All of these elements allow the reader to identify emotion that is expressed in each story, as though that were the complete truth.
During this work, O’Brien keeps a casual tone. It sometimes gets more formal and serious, but for the most part, it’s friendly and almost playful. When he is describing the conversations he had with his friends, he looks back on them with happiness. Consequently, when he is describing the death of one of his friends, his tone gets more somber and less playful. For example, the entire chapter of “Stockings” is devoted to describing the soldier Henry Dobbins and an interesting knack of his. “Even now, twenty years later, I can see him wrapping his girlfriend’s pantyhose around his neck before heading out on an ambush.” This cute, two page chapter provides a bit of relief after the chapter about Mary Anne Belle. It has light connotations and is a generally funny short story. Later in the book, however, he gets more serious when talking about the death of his dear friend Kiowa. He
1. How did the narrator react to the fact that he killed another human being? What evidence in the story leads you to this conclusion? The narrator was shocked and felt guilty. You could tell that he feels bad because he is thinking about all the stories and lessons the boy would have been taught. O'Brien is just staring at the dead body and not speaking, which shows he's traumatized. Kiowa
In “The Things They Carried” Tim O’Brien uses this story as a coping mechanism; to tell part of his stories and others that are fiction from the Vietnamese War. This is shown by using a fictions character’s voice, deeper meaning in what soldier’s carried, motivation in decision making, telling a war story, becoming a new person and the outcome of a war in one person. Tim O’ Brien uses a psychological approach to tell his sorrows, and some happiness from his stories from the war. Each part, each story is supposed to represent a deeper meaning on how O’Brien dealt, and will deal with his past. In war, a way to
The first story O’Brien decides to tell us is the story of Lieutenant Jimmy Cross. Cross represents a young and inexperienced soldier who went to war for all of the wrong reasons. He deals with the savagery of the Vietnam War through letters and pictures sent from the woman he loves back home, Martha. Cross carries physical objects, pictures, letters, as well as memories from his time spent back home with Martha before signing up for war. At one point in the story after describing a date between him and Martha, he mentions how “he should’ve carried her up the stairs to her room and tied her to the bed and touched that left knee all night long.” (5) His thoughts of Martha are enough to help distract him from the brutal realities taking place in the war. However, his distraction becomes too much, and it ends up resulting in the death of one of his fellow squad members, Ted Lavender. He carries regret for the death of Lavender, and years later confesses his guilt to O’Brien, and that he has never forgiven himself for his death. Despite his long-lived regret, Cross finds comfort in his thoughts of Martha, and hopes one day she will return his love.
Tim O’Brien’s, The Things they Carried is a riveting tale of struggle and sacrifice, self indulgence and self pity, and the intrapersonal battles that reeked havoc on even the most battle tested soldiers. O’Brien is able to express these ideas through eloquent writing and descriptive language that makes the reader feel as if he were there. The struggle to avoid cowardice is a prevailing idea in all of O’Brien’s stories.
In many respects, Tim O 'Brien 's The Things They Carried concerns the relationship between fiction and the narrator. In this novel, O 'Brien himself is the main character--he is a Vietnam veteran recounting his experiences during the war, as well as a writer who is examining the mechanics behind writing stories. These two aspects of the novel are juxtaposed to produce a work of literature that comments not only