Queenie in 'A & P'

In "A&P," Sammy is initially drawn to three girls, Queenie, Plaid, and Big Tall Goony Goony, perusing the grocery store and while he is drawn to the leader of the group, Queenie, he soon begins to note how they are a contrast of what middle-class suburbanites consider to be acceptable. Sammy notes,

Sammy begins the story by describing the three girls in bathing suits who have walked into the A & P grocery store. The girl who catches his attention is a chunky girl in a plaid green two-piece swimsuit. As Sammy continues to observe the girls, his interest seems to focus only on the girl who leads the other two into the store. Sammy refers to the girl he likes as "Queenie",someone showing poise and leadership, while the other girls

Transition -- In fact, Supporting point 2 -- when he contemplates what Queenie might be thinking Quote -- he wonders if her head is empty or “a little buzz like a bee in a glass jar” (824). Explain/relate quote to point -- In his mind she and the other girls are objects, not human beings. Transition -- Even the nicknames he makes up show the sexist attitude of an immature teenage boy. Supporting point 3/Quote -- Referring to the one he likes as “Queenie,” to her tall friend as “Big Tall Goony Goony” or other female shoppers as “houselaves” indicates that women in his view have no place or identity beyond themselves(825). Explain/relate quote to point -- indicates that women in his view have no place or identity beyond themselves Transition – further Supporting Point 4 -- His false-chivalric gesture at the end reveals his immaturity. Quote -- He assumes that the girls need an “unsuspected hero” to save them Explain/relate to point --, that they cannot take care of themselves or handle a little embarrassment (827). Concluding sentence -- Clearly, Sammy has much to learn about heroism, chivalry, and

There is a sudden change in Sammy's attitude toward the girls throughout the story. At first, Sammy and his friend's he work

Sammy’s obsession with Queenie shows how Sammy doesn’t get much action. He is about a twenty year old guy who is obsessing over a 16 or 17-year-old girl. Sammy gives every single detail about Queenie; for example, he says, “She was the queen. She kind of led them, the other two peeking around and making their shoulders round. She didn’t look around, not this Queen, she just walked on slowly, on these white prima-donna legs.” About 80% of the story is dedicated to the description of Queenie.

What truly gets the attention of Sammy is Queenie’s pink bathing suit that had straps that were pushed off which exposed her bare shoulders. He describes that with the straps down you can see just “her” and how she was “more than pretty.” Customers of A & P are in shock when they witness the girls’ appearance in the store. Stokesie, another cashier at A & P who is only three years older than Sammy, is married with two kids. He does not resist fantasizing over the girls. He makes commentary along with Sammy, again clearly displaying the mindset of that age group. The store is quiet, Sammy is anxiously awaiting the girls to come into view as there is nothing else to do. He fabricates scenarios in his head such as which check out aisle they will choose when their shopping has concluded.

Sammy, deemed to be the protagonist of the story, is nothing short of the typical nineteen year old, full of insecurity and self doubt, working an average job at a local supermarket. He’s desperate to break out of hometown, desperate to leave behind the people like Stokesie and Lengel, who he perceives to be just some “scared pigs in a chute”, but struggles to find an escape route. That is, until he encounters Queenie, a girl who lives a life Sammy can only dream of. Queenie resembles everything Sammy wants to be. She is a natural leader, hence the nickname “Queenie” awarded to her by Sammy. She’s also proud, and confident. She doesn’t care what anyone thinks of her and loves herself without apology. So when Queenie offers Sammy the opportunity to transform himself into the person he only dreamed of being; a rebellious, confident and fearless spirit with little regard for anyone else, Sammy jumps at it. As a result, Sammy makes a rash decision to quit, in hopes of following Queenie to her sophisticated world outside of the A&P supermarket. Sammy’s rash decision to quit was an attempt to escape, live a new and exciting life, but falls short when the girls leave him behind and reality slaps him in the

From the moment the girls enter, Sammy describes in massive detail their looks and the way they uphold themselves. As he devotes his entire attention towards Queenie and the other girls he loses focus off of his job requirements and makes a mistake.The reader learns that Sammy has been working at A & P for a while because he is familiar with his customers, the cash register and the aisle. For instance, in paragraph 1 he labels his customer a witch because he wasn’t sure if he

Sammy at first is an innocent onlooker to this fiasco. Sammy devotes much more descriptive quality to the girls than to anyone or anything else surrounding him. In describing Queenie’s bathing suit he says, “the straps were down.

In the story “A+P”, Sammy is immediately interested in the three females that enter the grocery store. His interest possibly provoked by the natural tendency of being a young teenage boy and they being three girls dressed in bathing suites alone. Once the three girls make their way through the grocery store, Sammy immediately begins making his own judgment of their character based on the way they walk and the way they look. Sammy while observing the three girls, names the middle girl, “Queenie” simply based on her appearance and the way she walks. He describes Queenie in a condescending way, “She didn’t look around, not this queen, and she just walked straight on slowly, on these long white prima-donna legs. She came down a little harder on her heels…” (Updike 259) After watching the girls walk through the grocery store to find their item he insults their intelligence without having spoken to them, “…(do you really think it’s a mind in there or just a little buzz

Sylvia and Sammy are products of their environments. Being in an unpleasant environment would definitely put any individual on edge. Because both characters are unhappy with their surroundings, both are quite cynical. Aside from comparing one customer to a witch, Sammy also refers to others as “sheep” and points out “house-slaves in pin curlers” (Updike 3). Sylvia is also cynical in the way she talks of Miss Moore. At a point, Sylvia states that she is a “nappy-head[ed] bitch”, which in no means is a proper way for anyone, let alone a child, to speak (Bambara 1). Despite being so cynical, the reader finds that both characters have another side as well. When faced with desire, Sylvia’s and Sammy’s mannerism changes. The reader sees Sylvia in a whole new way when she sets eyes on the fiberglass sailboat. In fact, Sylvia’s entire persona changes. Not only is she dumbfounded by the price of the sailboat, but she is awestruck by its greatness. She grows quite mad about the price; nonetheless, this is the beginning of the change of her character and train of thought. This is where she realizes the economic imbalance of the world. Similarly to how Sylvia was taken by the sailboat, Sammy is captivated by the girls’ physical appearance, especially Queenie. This is made evident by the imagery of the text from his physical description of them. Bambara and Updike

Status is the social or professional standing of a person, and it is often a unifying factor which John Updike uses to show comparisons of several different characters. Through Sammy’s point of view, several comparisons are shown between the employees of the A&P, even though their ages are different. Firstly, Lengel and Sammy assume the girls are ignorant and incompetent. Sammy’s demeaning view is viewed when he says, “Poor kids, I began to feel sorry for them, they couldn't help it.” In Sammy’s mind he saw the girls as helpless prey that had walked into a trap he needed to save them from. The manager saw the way they were dressed and proceeded to scold them the way a principal in a school scolds disruptive students. Another parallel between the two men is they both objectify the girls. Lengel is shown to look the girls up and down before he passes his judgement. Sammy’s defense of the girls, while it seems honorable, has ulterior motives. His hope is the girls hear him quit his job so that he can impress them; this action further objectifies the girls making them passive objects of passion. In the A&P there is another comparison between some of the repressed customers; the group of women he calls houseslaves and the trio of girls. Houseslaves are women whose only job was to cook, clean, and care for children. When the trio passed by these women there is a moment of shock from the girl’s appearance, but they look a second time possibly out of envy for the freedom they lack. The women in this story seem to all lack a voice and in the 1960s that was not uncommon; men in this time were still seen as the ultimate providers for the households. Queenie, like

The intense interaction between Lengel and Queenie escalates into a small argument, resulting in Queenies embarrassment “Queenies blush is no sunburn now” (194). Lengel decides to end their interaction by restating policy, and communicating with Sammy that it is time to ring up their purchases. The opportunity for Sammy to act on his feelings has now arrived, the intense conversation, coupled with the numerous external cues regarding Queenie, has bombarded his thought process, and he has aggregated ever clear his intention to draw closer to her, and ultimately derives the motivation for the next two words he speaks, “I quit” (195). Sammy hopes that these brazen words will capture the attention and kinship of the girls, to form his ever so desired connection, “hoping they’ll stop and watch me, their unsuspected

     Every summer my family and I go to our house in the cape just north of Boston. One hot summer morning, I was leaving the house to meet my family at the beach, suddenly I remembered my mother asked me to pick up a jar of “Kingfish Herring” for her and her friend to snack on at the beach.

The woman that Sammy can not keep his eyes off is Queenie. She stands out the most from