On Friday night, November 13, 2015 at 7:30 p.m. I attended the Manhattan School of Music for the Jazz Orchestra that performed by Jazz vocalists and MSM alumni Jane Monheit and many other musicians. That place is unlikely the ordinary place, people have appropriate dress on and have nicely etiquette toward the performers, unlike me, many of audiences seem like that they come to this concert with certain knowledge of Jazz orchestra. And its musical venue was the ideal spot for the concert, so I sat in a decent spot spot that located at midst of the concert hall where I can view all the performers and hear performers’ music clearly. And the conductor informally began the show was quite nicely and politely which made me feel really comfortable …show more content…
The instruments in the first gathering included bass, drums, conga, trumpet, alto saxophone, shaker and vibraslap. They performed two quick tempo melodies for drums and percussion, and every instrumentalist was given the chance to hold a performance. All through the execution of the first gathering, the bass player was absence of innovativeness and specialized abilities that should have been be cleaned; his spontaneous creation was a progression of specific scales that were dull and basic. Then again, he was extremely rhythmical and had decent state of mind toward the group of onlookers, coordinating great with drums and knew how to connect with the gathering of people. Particularly, the alto saxophone player was not the same as different instrumentalists, since his tones were more vividly communicated than some other payers. His act of spontaneity was confounded and inventive too. His pitch and rhythms were exact. Notwithstanding that, he executed as harmony with trumpet player in a brief moment performing melody, where he demonstrated a decent feeling of flow. In general, despite the fact that every part of the orchestra possessed the differential musical skill, but they coordinated with each other quite
On March 30th, 2017 I attended a well-performed jazz concert at Prince George’s Community College. The concert was performed by a group called The Reginald Cyntje Group. The Reginald Cyntje Group was made up of Brian Settles, Herman Burney, Lenny Robinson, Hope Udobi, and Reginald Cyntje. The group performed seven songs including: “The Rise of the Protester,” “Ballad for the Masses,” “Chant of the Revolt,” “Descension and Ascension,” “No Justice No Peace,” “The Piece of Resistance,” and “Blues People vs the Deplorables.” While I enjoyed all of the songs my favorite was the “Dance of the Crooked Heads,” which will be the topic of my report.
I attended the University of Indianapolis Jazz Ensemble on Wednesday, October 11, 2017. The concert was located in the Ruth Lilly Performance Hall at 7:30p.m. The band played a total of eight different songs, varying in the types of jazz. I perceived the overall mood of the whole concert as energizing, powerful, and uplifting. I was also able to apply much of the knowledge that I learned in class to the event.
The performance I attended was “Cape Fear Society Scholarship Concert,” which was a musical ensemble comprised of saxophones, trumpets, trombones, a piano, a drum player, end even a bass. Jonathan Hill, one of the instrumentalist who played the drums, was awarded that night with a scholarship. All of the performers can play their instruments in an unusual way which is referred to as swing. I have never been to a jazz concert before so it was interesting to hear the saxophones play swing, it really gave me a feeling that I was watching the ensemble perform in the 1920’s in a restaurant. Also, a special guest Carol Ingbretsen sang along with the musicians on most of the pieces, I also found this very interesting. For the most part the singers
On April 26th, I attended the College of Liberal Arts Department of Performance Studies presenting there Small Ensembles Concert. The performance began at 7:30 at Our Saviour’s Lutheran Church and the ensemble was coached by David Wilborn. The ensemble included a variety of brass including; a horn trio, a brass trio, a trombone and tape, and a trombone choir. The performers were talented, but I did not care for the pieces that were chosen for the concert.
The date of the concert was October 5, 2016 and the title of the concert is “Experimental Improvisation with: Kjell Nordeson & Peter Kuhn”. The concert was performed in Mesa College Music building. Peter Kuhn had three instruments with him a bass clarinet, saxophone, and a Bb Clarinet. He used the bass clarinet and the saxophone during his first piece, and the clarinet on the second piece. Kjell Nordeson was on the drum but had a lot of instruments with him. Sometimes he would play the drums as a drums set but sometimes he would put some sort of objects on top of the drum to create different sound effects. He also had a small glockenspiel and a flexatone. The concert hall was very simple, had a
On May 13, 2016, the Vocal Jazz Ensembles at Sacramento State University had their one of the last concerts before the semester ended, which was directed by our professor Gaw Vang Williams. This concert was performed by four groups and different solo, which was completely different experience from the first two concerts that I attended at Sac State. In this Vocal Jazz concert, there was packed and a lot of audiences who were friends, family and students come to support and enjoy before this semester ended. Overall, this was a good show and I found that Vocal Jazz was much more fun and enjoyable than the first two. In this concert, I enjoyed every pieces of performance and there were three pieces that caught my attention, which were “Hold On”,
If you did not make it out to see The Jazz Ensemble on Tuesday, Apr. 19th, then you really missed out on a great evening of music. Family, friends, and jazz lovers nearly filled the Anne R. Belk Theater to watch and listen to the performance directed by Dr. Will Campbell, with special guest Derrick Gardner. Gardner is a highly accomplished jazz trumpet player, who has traveled the world playing jazz music.The Ensemble member are; Bryce Harris, Jonathan Carroll, Cody Belton, Garrett Brown and Bryan Patterson on the saxophone, Richard Hall, Casey Blackwelder, Wesley Taylor, Liam McMahon and Cameron Francis on the trumpet, Nathan Ricer, Patrick Foray, Virginia Crooks and Kyle Barnhardt on the trombone, Dallas Holder on the piano, Brian Gilbert on the guitar, and Colin Ray and Eric Chang on the drums. The Ensemble played seven songs, and four of those were played with Gardner. The songs were performed in this order “A Pair of Aces,” “You Must Believe in Spring,” “Count Me In,” “Big Dipper,” “Footprints,” “Just a Touch” and “Lil’ Fawdy.” All of the songs were performed exceptionally well, out of the seven these two were my favorite.
On November 17, 2015, I attended a Jazz concert at the UIC Recital Hall featuring Chris Madison and the UIC Jazz Ensemble. The instruments that were played that night include; trumpet, which were played by Giovanni Garcia and Gustavo Espino, the trombone that was played by Thomas Graf, the saxophone, which were played by Robert Bugos, Mitzi Ochoa-Sanchez, Nicholas Buitrago, Mariah Phillips, Drew Sansom, Aaron Newsome- Brownlee, Ashanti Gayden, Alex Rivera, and Alec Cohen, the clarinet was also played by Ashanti Gayden, and the flute was played Laura Erickson. In the rhythm section there were drums that were played by Frank Glassman and Alex Tellez, the bass that was played
On Friday, May 18, I attended the Burrell High School Jazz Band Concert. Over the concert, a band played for the first half, there were then chamber groups that played in between, the second band next, and then a combined band with alumni. I felt that the structure of the concert flowed nicely, as the chamber music in between was refreshing from the jazz. My favorite chamber piece was an African piece involving bongos and soprano saxophone.
On November 14th, the Lawrence University Jazz Workshop, under the direction of José Encarnación, played a concert of five tunes in Harper Hall. This ensemble consisted of a full rhythm section, six saxophones, a trombone and a cello making up the trombone section, and four trumpets. The purpose of this concert was to demonstrate what the Jazz Workshop had been working on throughout fall term as well as function as a final exam. Over the course of about 40 minutes, they played five pieces of different styles that featured and challenged different parts of the ensemble.
On December 3, 2015 the University of Florida’s School of Music hosted a concert at the University Auditorium where the Jazz band performed. The band consisted of four sections: saxophones, trumpets, trombone, and rhythm. The Saxophone section performers included Greg Snider (Alto), Dustin Fergerson (Alto), Ben Grier (Tenor), John Peasant (tenor), Tony Laracuente (tenor), and Ryan Colon (Baritone). The Trumpet section performers included Sean Bocinsky, Ben Rochford, Lucas Owen, and Brantley Daniel. The trombone section performers included Stephen Anderson, Jacob Armstrong, Joshua Jenkins, Like Blackman, and Andrew Bajorek. The Rhystem section performers included Zac Chester (piano), Sean Fournier (piano), Erik Abernathy (Guitar), Delorean Fullington (bass), Calvin Bond (bass), Clyde Conner (Drums), Tom Hurst (drums), and Andrew Mankin (drums). The performance consisted of four pieces, which depicted different styles of jazz music. The styles of songs ranging from Afro-Cuban to swing allowing for the crowd to enjoy the wide variety of music.
The jazz band performance was phenomenal! The jazz band consisted of saxophones, trumpets, tubas, pianos, guitars, basses, and percussions. The band had the audience enthused by their solo performances and their musical style. Each of the band’s performance had me inspired by the meaning and idea of the story, memorable features, and more.
The earliest easily available jazz recordings are from the 1920's and early 1930's. Trumpet player and vocalist Louis Armstrong ("Pops", "Satchmo") was by far the most important figure of this period. He played with groups called the Hot Five and the Hot Seven; any recordings you can find of these groups are recommended. The style of these groups, and many others of the period, is often referred to as New Orleans jazz or Dixieland. It is characterized by collective improvisation, in which all performers simultaneously play improvised melodic lines within the harmonic structure of the tune. Louis, as a singer, is credited with the invention of scat, in which the vocalist makes up nonsense syllables to sing
One performance I attended this semester was the Lenoir-Rhyne University Jazz Ensemble’s concert on November 13. The ensemble's performance was exciting and entertaining and I thoroughly enjoyed all ten song selections. Throughout the entire performance, a clear sound was produced along with great tone quality. Additionally, the intonation was great across all instruments, not only in the opening pieces, but for the entire concert. However, in a few places, articulations could have been more clear and consistent. Overall, dynamics were well executed and the transitions between dominance with different instruments were smooth. Contrastly, the ensemble as a whole could have backed off more dynamically during certain solos. All the solos were
This weekend I attended a wonderful All Stars show at the Jazz Showcase held by Pianist Willie Pickens on Friday, July , 08, 2016, at 8:00 pm . As I mentioned in my first concert review the Jazz Showcase is located at the Dearborn Station in Chicago, IL . This time I went to this jazz performance with my two older sisters. Although I already got to walk around the place the first time I visited, it was my sisters first time there and they want to walk around and look at the memorabilia on the walls . The Jazz Showcase consist of two main levels known as the “Upstairs level” and “ Downstairs level” . The first time I came to the Jazz showcase I was seated in the “Downstairs