The Economic Impact of Notting Hill Carnival Essay

The mass of almost one hundred thousand is edgy. The night is hot, humid, and alive with a feeling in the air so palpable you can almost trace it with your finger. The bleachers are filled to maximum capacity, along a mile-long stretch of paved roadway adjacent to an old brewery. People from all races, classes, and countries are celebrating together at the culmination of the orgiastic, pre-Lenten, hedonistic festival of Carnival. Soon, the first marchers proceed down the corridor to the booming cacophony of bass, snare, and friction drums. The rattling of tambourines, bells, and scrapers add flavor and accent. Like a bird set free, the singing cavaquinho (ukulele) emits its high pitched cries, adding to the frenzy. The marchers and

However, this conception of traditional mas does not represent the reality and range of the festival. Therefore it is unfair to classify specific characters as the hallmark of traditional mas when independent Mas bands, like Vulgar Fraction, who stray from performing these characters are arguably more “traditional” in their methods of creation than any other contemporary mas band as they place emphasis on forgotten skills such as wire-bending and costume-making. Yet, this begs the question: Is there a desire from the public for independent mas bands in contemporary Carnival?

This February I attended the Asheville Mardi Gras Parade downtown as my cultural event. The parade moved through the South Slope brewery district, and featured a wide array of floats, costumes, and music. For example, the Ashevillage People had a float designed to emulate a phoenix with flames surrounding it. I had a fulfilling time, and it was a very enjoyable way to spend a few hours seeings the community of Asheville come together and see all the attractions. Asheville is very well known for its wide range of arts and culture, and that really was apparent during the Mardi Gras parade in the great variety of depictions all inspired from various regional cultures. Western North Carolina has its own, unique way of life and I was glad to see Mardi Gras adapted to work with it so effortlessly and beautifully.

In Neverwhere, there are are two distinctly different communities, London Above and London Below. In London Above, the people don’t interact with each other unless they have

Notting Hill is ground zero for the largest Afro Caribbean celebration in Europe and second biggest street party in the world! Hosted by Bank Holiday, people from all walks life saturate these street to express their individualities and party hard among the dancers in ‘Mas bands’ costumes while enjoying the 40 static sound systems blasting soca, reggae, and calypso music. Try some delicious jerk chicken or rice curries while jamming to the energetic sounds of the Caribbean that happens only once a year near the end of August. This festival is a unique representation of Notting Hill’s constantly growing diversity that brings out the best in West Indies culture.

We arrived at the Salt Palace about 1:40, thinking that it's a afternoon on a Saturday we figured it wouldn't be to packed and the people wouldn't be to drunk, but we were wrong. Thousands of people gathered together for this event with hundreds of booths to visit and check out what they have to offer. People walking around with a cup of Samuel Adams beer or a bottle of hard cider; to some, that was their

Ability to Attract a Crowd: In addition, the crowd is an essential part of the music festival. The size of the crowds is important because the purpose of the music festival is for the street musicians to get exposure and for the others to view their talent. Without large crowds, the musicians will not get any exposure, and the city will not appreciate their talent. Engagement from the crowd is also important because an attentive audience who is enjoying the music. Without the ability to attract and accommodate a crowd, the

Performers and the public for over forty years have been descending on the muddy fields of the festival Glastonbury to attend every year possible a now cultural music festival. One man’s

In recent years the growth of the festival’s attendance has created a problem for many visitors in their ability to find lodging. Resulting in many having to stay in motels and/or bed and breakfasts as far as 60 kilometres away. Readings and musical events sell out within hours after tickets go on sale. Additional readings have been added, but the demand still exceeds the supply.

The impact of today’s music festivals has altered the way the youth culture defines itself as it is constantly expanding to immerse people in a more interactive way to give individuals an unforgettable musical experience that connects the festival goer to the artist and how much the influence of music can impact people. The Electric Daisy Carnival is one of North America’s largest dance music festivals and it is noteworthy to understand how it culturally became popular with the influence of electronic music and how is has shaped and changed the modern rave scene in the US. Also known as EDC, this event has gotten bigger every year while creating the best experience for rave goers unlike any other festival. The significance of EDC is that it has changed how raves function here in America and how it is shedding a new light on the stigma raves had in the past. The reason I chose this topic is because people say that music speaks to soul but I believe that EDC is far beyond any other musical experience and feel that this event is judged in so many ways because people don’t understand the deepness about what EDC promotes and how it is influencing how young people interact and connect today because of the music.

Over the last 60 years, tourism has benefited from continuous growth and diversification, becoming one of the largest as well as the fastest growing world’s economic sectors. Tourism becomes one of the major categories of global trade in services. Nowadays, 7% of global goods and services exports are contributed by international tourism, and for the last four years, it has grown faster than the general global trade.[ Exports from international tourism rise 4% in 2015, (2016, May 6). Retrieved from http://media.unwto.org/press-release/2016-05-03/exports-international-tourism-rise-4-2015]

As I entered, the deafening hum of dubstep vibrated my very conscience and my thirst was amplified. There was a new girl on one of the poles, she looked like she was fourteen. At least five crack addicts just stared at her skinny body with gaping mouths so wide open I could have fit my fist in them. I thought to myself; these creeps are justifying their paedophilic inclinations. I then chuckled aloud reflecting on my own psychopathic tendencies. I reasoned that it was all relative to one’s taste. The great thing about Kings Cross is everyone’s crazy which makes you content with your own problems.

In this chapter we will discuss and analize about the Social & cultural impacts of Glastonbury festival. As we know, The Glastonbury festival is a largest open-air music and performing arts in the world so it has considerable influence to people about social and cultural.

The resources used by Gelder and Robison (2009) tribes from the early eighties to 2005. Although the early eighties seem prescriptive on the contrary there appear to be little research done on this subject. The authors use the research of Crompton & McKay (1997) as a back bone of their research. The research was mainly used for the design and the topics of the questionnaire. The investigation of Petrick and Li (2006) is used by Gelder and Robison as a basis of their research, encompassing the developments and trends in the music festival industry. (very descriptive on ad hoc basisThe authors consider the research of Yeoman et al. (2004) to be useful for the structure of their survey. Besides, the study of Veal (2006) is representative for the methods on the analysis. The previous investigated researches are narrow minded focusing on the motivations of festival goers abroad. Considering that there has been little research done on this subject it is unlikely the authors were able to find revolutionary sources.

An analysis provides the similarities and differences of each festival to allow for comparisons in regards to alternative implications behind results collected (Daymon and Holloway, 2011). The three festivals that took part in the study interviews were Two Thousand Trees Festival (TTTF), Hebridean Celtic Festival (HCF) and Cambridge Folk Festival (CFF). All the festivals are yearly summer outdoor music event within the UK. CFF is more mature in its lifecycle and has been running for 51 years, HCF has been running for 20 years and TTTF has been running for nine years. Both CFF and TTTF are located in England and HCF is located on the Hebrides off Scotland. In terms of size and daily attendance numbers HCF has a 15,000 capacity, CFF has a 10,000 capacity and TTTF has a 5,000 capacity. HCF is the only festival that does not providing camping sites for its attendees. All the three festivals have won an award from A Greener Festival have been recognised for their efforts to reduce the negative impacts onto the environment and all interviewees themselves had a personal interest in reducing negative environmental impacts.