The, Fun Home, By Alison Bechdel Essay

The Joy Luck Club is the first novel by Amy Tan, published in 1989. The Joy Luck Club is about a group of Chinese women that share family stories while they play Mahjong. When the founder of the club, Suyuan Woo, died, her daughter June replaced her place in the meetings. In her first meeting, she finds out that her lost twin sisters were alive in China. Before the death of Suyuan, the other members of the club located the address of June’s half-sisters. After that, they send June to tell her half-sisters about her mother’s life. In our lives there are events, and situations that mark our existence and somehow determine our life. In this novel, it shows how four mothers and their daughters were impacted by their tradition and beliefs. In the traditional Asian family, parents define the law and the children are expected to follow their requests and demands; respect for one’s parents and elders is critically important. Traditions are very important because they allow us to remember the beliefs that marked a whole culture.

- Characters: The main character is developed by what type of book the author is writing. My main character Sugar Mae Cole was developed because of the way she acts toward different characters in the book. And by her personality and sugars personality is sweet kinda like her name and she is polite. She is always trying to brighten the other characters up especially her mom Reba. She has a different personality that any of the other characters and connects with them in a different way that is what makes her the main character. she is cautious and also believes in people and things like her mom. Her mom Reba is about to give up but Sugar still believes in her and she believes she and her Mom will get a home and things will

An emphasis on family is one of the central facets of Native American culture. There is a sense of community between Native American. Louise Erdrich, a Chippewa Indian herself, writes a gripping bildungsroman about a thirteen year old boy named Joe who experiences all forms of family on the Native American Reserve where he lives. He learns to deal with the challenges of a blood family, witnesses toxic family relationships, and experiences a family-like love from the members of the community. In her book, The Round House, Louise Erdrich depicts three definitions of the word family and shows how these relationships affect Joe’s development into an adult.

As the narrator, Claire creates an emotional and compassionate tone throughout the story. Her dialogue constantly consists of words such as “honey”, “mommy”, “love”, which constitutes to the overall mood of the text (Carver 363). Additionally, she is constantly catering to her husband and child by cooking, cleaning, and performing tasks of the typical “stay-at-home” mom. Her affectionate personality, want for control, and mother-like performance plays a role in Carver’s explanation of the stereotypical mother and wife.

Charlotte rejects her mother’s ideology from a young age, and has the perspective to see past the illusions of perfection her mother creates, and Miss. Hancock gives her the weapons to fight her mother. In seventh grade, Miss. Hancock teaches Charlotte about the metaphor, sparking the creativity within Charlotte her mother shunned. The metaphor becomes a symbol throughout the short story, but it also develops into something deeper. The metaphor becomes an allegory of Charlotte 's rebellion against her mother’s influence, and her future. Writing is an outlet, an opportunity for Charlotte to express and understand herself. The form of expression was a gift from Miss. Hancock, who arms her with the power of creativity. “‘My home,’ I said aloud, ‘is a box It is cool and quiet and empty and uninteresting. Nobody lives in the box,” Charlotte says in seventh grade. She has a complex understanding of herself, and is able to articulate her frustrations through metaphors. After graduating out of Miss. Hancock’s seventh grade class, the story picks up introducing the reader to Charlotte as a

Picking up the book Fun Home, one would imagine that the novel would embellish some sort of comical life story of a misunderstood teenager. Although the short comic-book structured novel does have its sarcastic humor, Alison Bechdel explains her firsthand account of growing up with the difficulty of living of finding her true identity. Alison was a teenager in college when she discovered that she was a lesbian, however, the shock came when she also discovered her father was homosexual. I feel that the most influencing panel in Fun Home is where Alison and her father are in the car alone together. Not only does this panel explain the entirety of the novel in a few short speech bubbles, but it is the defining scene that connects

Fun Home: A Family Tragicomic is an autobiography written by Alison Bechdel. The graphic novel takes its readers through Alison Bechdel’s childhood using engaging diction and detailed drawings. One of the big themes of Fun Home: A Family Tragicomic is the discovery of one’s sexual orientation. Over the course of her life, Alison Bechdel eventually comes to the realization that she is a lesbian. Ultimately, Alison Bechdel uses this novel to recount her experience of events that helped to shape her personal identity, which resulted in a transformation of the way she sees herself. In the end, Fun Home: A Family Tragicomic is a wonderful narrative that shows its readers the complexity of personal identity, and how things like love, the values of

On the surface, Alison Bechdel’s Fun Home seems simply to be a memoir of her journey towards discovering her own identity, and in the process, uncovering her father’s. However, the novel is far more complex. The graphic novel is not linear in the least, and mimics memory as it moves backwards and forwards in time, or returns to specific situations repeatedly. This is layered with the numerous references to previous literary texts in an interesting manner; combined, it provides emotional and informative layers to the novel. Bechdel starts to especially question binaries and pushes the boundaries of what it means to be a female and male in a relatively patriarchal society with no middle ground around the rules; as the novel shows, this affects not only Bechdel’s own pursuit towards her identity but has a significant, and ultimately fatal, impact on her father, Bruce.

The Birth House by Ami McKay tells the story of a young midwife named Dora, living in rural Nova Scotia during the early 1900’s. Dora is trained in midwifery by Ms. Babineau, the midwife of Scots Bay until her death when Dora takes over. Dora is challenged by Dr. Thomas, a professional doctor who opens up a modern hospital in the community who encourages the women of Scots Bay to abandon traditional midwifery as a means of giving birth. Dr. Thomas persistently attempts to convince the residents of Scots Bay that modern medicinal technology is a safer and cleaner means of giving birth than allowing Dora and Ms. Babineau to deliver their children, despite their vast knowledge and experience of women’s reproductive health. The novel discusses

Sonja Livingston is a talented and unique young writer who uses an unusual structure in her work. Structure is the form that an author’s writing takes; how the sentences are formed and how they are placed together to create the work. In Ghostbread, her award-winning novel, Ms. Livingstone uses a freeform chapter structure that, while roughly in chronological order, is not necessarily linear. In chapter 3, Ms. Livingston speaks of her father, “I had no father” (6), and then in chapter 4 she speaks of a childhood friend, “My favorite person should have been Carol Johnson.” (7) Through the course of the book, Ms. Livingston chronicles her life from birth to age 18, but it is not a strict telling; she meanders and explores events as they are remembered, not bound by a rigid timeline. The structure of her work is unconventional and through that unconventional structure she gives the reader an experience that is more like poetry than a conventional novel. Towards the end of Ghostbread, Ms. Livingston contemplates the effect that her miscarriage and the revelation of her sexual activity will have on her relationship with her mother with this passage, “Sex. Pregnancy. Men. What were they to her? Failure? Freedom? Power? Paths she followed, but did not prescribe. At least not aloud.” (212). The use of partial sentences and imagery are elements commonly associated with poetry and it gives

This story begins to drive the sense of emotion with the very surroundings in which it takes place. The author starts the story by setting the scene with describing an apartment as poor, urban, and gloomy. With that description alone, readers can begin to feel pity for the family’s misfortune. After the apartments sad portrayal is displayed, the author intrigues the reader even further by explaining the family’s living arrangements. For example, the author states “It was their third apartment since the start of the war; they had

Part graphic memoir and part psychoanalytical study, Alison Bechdel’s, Fun Home, is a charming story about a girl’s search for identity within an unconventional family. The novel style autobiography frames Alison’s childhood and adolescence as she struggles with themes of sexual confusion, gender identity, and convoluted family dynamics. These ideas are explored through the examination of Alison’s relationship with her father, and their shared passion for literature.

Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship

In the prologue, Audre describes her “home” as being a place that could only be from a fairy tale (enchanted even). This home is somewhere Lorde never visited or never observed. She only knows this extraordinary place through her mother’s stories. As Audre grows older, “home” is something she does not have in life. She even expresses that the extraordinary place (Carriacou) from her mother’s stories in no longer the home, she longed for it to be (Zami 256). Even though her home was in Harlem, New York, Stamford, and Cuernavaca, they never felt like home. Throughout the novel, it appears that Carriacou helped Audre deal with the racist society. She finally accepts her character in society as a black lesbian. She in time grows to admit that

The book “Fun Home: A FAMILY TRAGICOMIC” is a captivating autobiography that entertains readers as well as engages audiences. The content provided in the book challenges views on normative stereotypes while offering a unique perspective. The book impresses upon readers a stir of emotions while conveying messages effortlessly. The memoir focuses upon uncomfortable subjects such as death, homosexuality, and coming of age offering a candid look into aspects of the Bechdel’s life. The book is an interesting read, the subject matter produced is relatable to readers and unique in its format. Additionally, the content produced in the book relies on her relationship with her father, which aids in entertaining audiences because of their strange kinship.