In 1967, The Plowden report recognised the importance of creativity, particularly in relation to the Primary Curriculum (Craft, 2001; Gillard, 2001). Subsequently, the NACCCE report identified a requirement for further investigation into creativity and cultural education (Craft, 2001; NACCCE, 1999). Nevertheless, it can be argued that creativity is complex, subjective and therefore difficult to define (Sousa, 2008; Kersting, 2003).
One possible definition of creativity is ‘imaginative activity fashioned so as to yield an outcome that is of value as well as original’ (NACCCE, 1999, page 31). Traditionally, creativity has been associated with exceptional people or those who are artistically gifted (Education Scotland, 2001). However, in recent years, distinctions have been drawn between ‘big-C’ creativity (an act of genius) and ‘little-c’ creativity (‘everyday creativity’) which enables people to problem-solve and adapt to change in everyday scenarios (Kersting, 2003, Craft, 2014; May, 2007). Nevertheless, Planche (2012) claims that many people do not perceive themselves as creative. The concept of everyday creativity is important, for if this premise is accepted, it may be said that everyone has creative potential (Sternberg, Grigorenko, and Singer, 2004).
Following the NACCCE Report (1999), the Rose Report indicated that cross-curricular work should be adopted to strengthen and enhance children’s learning (Hayes, 2010). There are a variety of ways to integrate creative
Creativity is an abstract concept that is crucial as part of our advancements of mankind whether that be in the scientific fields with new inventions and research or in the artistic fields with new paintings and amazing portraits, but most people do not understand that the gift of creativity can be a crucial source of innovative ideas. As a result of the need of creativity, schools must include creativity as part of the daily curriculum that students learn. Students already spent seven hours a day at school, exposing them to a class that helps them efficiently and correctly use creativity would be beneficial to not only students but to all members of society. Places of education such as high schools must include classes in creativity in order to create
Understand the concepts of creativity and creative learning and how these affect all aspects of young children’s learning and development.
The creative curriculum classroom is a community. In the creative curriculum classroom, instruction is based on observing and developing what the children say and do. Based on Vygotsky's term zone of proximal development (ZPD), creative curriculum teachers provide learning experiences that are challenging enough to move children to a higher level of learning, not so challenging as to frustrate them. Creative curriculum teachers facilitate growth and development of all children in the class and create a classroom environment in which their own effectiveness can be affirmed.(Colker)
The beauty of creativity is that it is abstract, yet ubiquitous: in art, music or how one decides to compose an essay. However, creativity has recently been declining among the human population. According to an article, named, “The Creativity Crisis,” by Newsweek.com in July 2010, authors, Po Bronson and Ashley Merryman, state, “the Torrance Test … indicates that the public’s “creativity quotient” has steadily crept downward since 1990” (Prompt 1). Bronson and Merryman report that the test, which evaluates one’s creativity, had been dispensed to myriads of people across the globe, and have concluded that creativity has been slowly diminishing. Kyung Hee Kim, professor at the College of William and Mary, also comments that this is most prevalent and grave among students from kindergarten through sixth grade (Prompt 1). Consequently, society, or in this case, the world fears that current students and future generations will not be nourished with the creativity required to thrive as individuals, affecting the world as a whole. Ultimately, this poses the question whether a creative thinking class, which solely focuses on the education of creativity, should be taught in the school. This school should impose a creative thinking class, due to the fact creativity is a vital element for the future and is the solution to the creative crisis.
In the context of creativity’s stated definition, we will proceed to group our arguments into three themes of factors: cognitive ability, expertise training, and environmental conditions. The human brain is highly adaptable and can continue to develop new cognitive abilities, even past adulthood (Norman, 2015). Proper cognitive expertise and training can help workers produce and operate in ingenious ways (Ginamarie, Lertiz & Mumford, 2004). Finally, the working environment can both motivate or stifle creative output. Managers can influence all three components: expertise, thinking skills, and motivation (Amabile, 1998).
What creativity actually is when you use your imagination, allowing things in the mind to occur that wouldn’t actually occur and also things to better the world. “Being creative is not only about thinking: it is about feeling” (160). You can not just think but you have to have feelings to make sure that you doing things right and feeling like you made something productive in the time. Being creative requires a long process, “magination which is the process of bringing to mind things that are not present to our senses; creativity, which is the process of developing original ideas that
Understanding of creative learning differs from those who see creativity as freedom to express ourselves to those who link it to self-discipline, practice and crafts.
S. I. Hayakawa wrote and published an article named "What lt Means to Be Creative". This article challenged how a creative person could be defined and identified. In Hayakawa’s essay he presents several points of view an individual could be characterized as being creative. His writing forces you to contemplate on how a person’s aptitudes are categorized. Hayakawa tests your ability to be opened minded and makes you visualize how a person could be described as a creative individual but may discredited themselves due to society’s standard of this word. After reading his writing, I believe I can summarize his analogy.
In order for children to be creative the environment and the experiences they are exposed to will determine their creative learning and creativity. This is closely linked with cultural approaches and role modelling.
In this age of high-stakes standardized testing the idea of creativity in the classroom has become less and less popular. Susan W. Cress and Daniel T. Holm present a compelling case study for keeping creativity in the classroom in “Creative Endeavors: Inspiring Creativity in a First Grade Classroom” published online April 1, 2015 in the Early Childhood Education Journal.
A smart man said “Creativity is as important as literacy and we should treat it with the same standing.” (Ken Robinson-“Do schools kill creativity?”). There are multiple studies on how creativity helps improve a student’s mind. Project based learning is a huge creative booster for students. A math teacher from California uses projects to do math instead of using the text book. From doing this, she’s had more students pass her class then from when she was teaching straight from the text books. Instead of having standardized tests, using more creative techniques for students to enjoy the learning they’ve done and for them to show the higher officials what the students are learning. Creativity is the process of turning real world problems into an understanding by extending the minds cognitive processes. In Alabama, kindergartners are studying different ways to be creative.
Creativity is the ability to produce work that is original yet appropriate-something that others have not thought of but that is useful in some way (Kaufman & Sternberg, 2007; Sternberg, 2003b). The significance of creativity for children’s development is very high. Creativity helps children develop the overall areas of development; physical, social, emotional, language and cognitive. A child learns to innovate as well as invent while doing creative activities. Through creative practices child finds multiple methods of looking at various situations, assessing these situations and finding new solutions. Children often desire to be able to express themselves without any
Creative genius is the ability to think unlike the general population in order to solve a problem or to come up with an imaginative innovation. Geniuses tend to have a range of areas of expertise rather than one subject that they focus on so that they can use multiple angles to approach their work. The British Medical Journal separates a genius’s creative process into three stages: acquiring information, subconsciously contemplating this information over a long period of time, and finally reaching a “eureka moment,” at which point they synthesize the information into a coherent product. Creative geniuses lead a crucial role in society because they promote infrastructural and cultural development. Thus, it is necessary to maintain the mental health of creative geniuses in order for them to have a high quality of life and for society as a whole to continue to develop.
“Never let formal education get in the way of your learning,” said Mark Twain. In the several years of my schooling formal education has been a major downfall in my learning and creativity. At a young age schooling in the 21st century gradually removes creative skills away from children, teaching them what this generation perceives to be successful. In my opinion, I find this to be false, because those who still hold on to their creativity through the many years of their education grow to be more successful. Success is not always defined as wealth or materialistic things. My definition of success is doing the things that you love which may eventually lead to success in the future. If you are in a career field you do not care for the chances of your success are not likely because you are not doing something you love, which will not influence you to strive for more.
According to the ethnographic approach defined by Papen and Tusting (2006, p.312-359), creativity refers the production of something ‘new’ and ‘original’. In written language, creativeness should not be perceived as a decontextualised, individual activity or as being entirely shaped by context. It should be seen as being dependent on and emergent from the creative literacy practices through which texts are constructed because they are shaped by people, who in pursuit of their own