Water Margin

Jin Wang is embarrassed to even be apart of his family by the way he acts and how he represents their culture. He now can see how hard it is to fit in.

The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on

Shen Fu’s work doesn’t construe the treatment of women during this time, but provides a glimpse into an exception to the rule. Women were harshly treated and received little attention during the Qing Dynasty. They were regarded as property and not allowed to leave the house without a man to accompany them. It was highly discouraged that they learn to read or write and they were not allowed to lead fulfilling lives, as they were bound to their husbands. Shen Fu does express some of these characteristics, such as being with courtesans and other mistresses, but he truly had a heartfelt love

Once the novel comes to an end, we notice clearly the way Wang Lung changed. In the beginning of the novel we learned many ancient Chinese traditions by observing Wang Lung as a simple peasant, but as he becomes a wealthy landowner his life collapses. This rapid change of social class makes it difficult for anyone who intends to keep their traditional values until their death. This fantastic novel by Pearl S. Buck reminds us that we can never forget our traditional values, because if that happens your life will collapse just the way Wang Lung unfortunately

The mist in opening scene and overall color tone of grey suggests that Wang is paddling into a world of dullness. With his houseboat- his only sanctuary- Wang travels around to make a living by performing Bianlian in return of donation from people who appreciate his art on the street. Desperation and poverty are not only accompanying people in the slave market but also Wang: his wife left him after the death of his son; his only companion is not a human but a monkey. Master Liang’s confession that “ we all have our own sorrows” reflects the folk artists fate of twists and turns and bitterness. During one performance, Wang is intimidated and oppressed by soldiers, but he can only chant woefully “The dragon in the shallows is toyed with by the shrimp”. Many proverbs like this in the film convey to audiences his hardship and helplessness. Government corruption is also disclosed in the movie when Wang is falsely charged of all kidnap cases and imprisoned. In his quest for an heir, Wang visits Buddhist temple to pray and buys a Buddha to worship in the hope that it may gift him a son. All Wang’s spiritual sustenance is on the Buddha body. This showed Wang’s inner weakness and helplessness towards his own destiny.

However, their fortune is short-lived when bad omens rise because of Wang Lung’s insolent behavior towards his uncle’s family. Not only is their third child born a daughter, but a drought begins, preventing the land from cultivating and spreading both poverty and starvation through the North.

Wu-Mei struggles about family and relationships. She suffered bullying from her own family. Bullying is the use of force to abuse someone and it has been the problem for Wu-mei from the start which makes her feel unwanted. Her siblings were being aggressive to her because they believe that she was the cause of their mother’s death. There is a quote from the Bible “Do unto others what you want others do unto you” this means that do to others what you want them do to you. In the novel “Chinese Cinderella” Wu Mei is being bullied by her Big Sister by telling her that she is the cause why their mother had died. For e.g. on page 3 chapter 1, Big Sister once said to Wu mei “Mama died giving birth to you. If you had not been born, Mama would still

Comment- Wu has a unique writing style. There are a lot of powerful sentences in the essay. The first sentence, for example, “my grandmother has bound feet,” carries a lot of information and interests the readers to continue reading.

It is this combination of a duel revealing that establishes the psychological fine points of the characters. The characters within are not simply physical beings designed to carry out the action, but instead they are developed and complicated. Therefore, Lee not only creates multi-dimensional characters, but he also displays an acute understanding of the codes and conventions of the Taoist and Buddhist ideas.

The Death of Woman Wang, by Jonathan D. Spence, paints a vivid picture of provincial China in the seventeenth century. Manly the life in the northeastern country of T’an-ch’eng. T’an-ch’eng has been through a lot including: an endless cycle of floods, plagues, crop failures, banditry, and heavy taxation. Chinese society in Confucian terms was a patriarchal society with strict rules of conduct. The role at this time of women, however, has historically been one of repression. The traditional ideal woman was a dependent being whose behavior was governed by the "three obedience’s and four virtues". The three obedience’s were obedience to

“I will tell her at eighteen the prettiness drained from my cheeks. That I thought of throwing myself in the lake like the other ladies of shame. And I will tell her of the baby I killed because I came to hate this man so much.” (P.248) After knowing her husband left her, Ying-ying aborts the baby in her own womb due to her hatred and sees the baby as her husband’s leftover in her life, regardless that it’s her own blood and flesh. She turns to her black tiger side, hides her true self and feels nothing toward killing her own baby.

As she recalls back on this time by telling her daughter what she calls her Kweilin story, Suyuan describes her feeling during this horrible time as “And inside I was no longer hungry for the cabbage or the turnips of the hanging rock garden. I could only see the dripping bowels of an ancient hill that might collapse on top of me. Can you imagine how it is, to want to be neither inside nor outside, to want to be nowhere and disappear?” (22) At this point in her life Suyuan was separated from her husband who is in the military and eventually is forced to abandon her two young daughters. This aspect of Suyuan’s life parallels the life of Amy Tan’s mother. Daisy tan was also married to a military man during the Chinese Civil War and like Suyuan was forced to abandon her two daughters in Shanghai. This was an experience that would affect her mother for the rest of her life and a story she would continue to tell and never forget. The life of Amy Tan is also a parallel to the life of Jing-Mei Woo of “June”. As a young girl June was forced to play the piano and practice constantly to become the best like Amy Tan was as a child. Along with playing the piano Suyuan also had high expectations for June as far as her future. She wanted her daughter to be the best in her class and go off to medical school to become a well educated doctor, the same expectation’s Amy Tan’s mother had for her. Both daughters decided to follow their dreams and

A highly valuable compilation of chinese historiographies spanning nearly 300 volumes and covering 1,300 years of history. The portrayal of Wu Zetian can be found in volumes 195 - 208 of the records. “She excessively used official titles to cause people to submit to her, if she saw that someone was incompetent, she would immediately depose or even execute him. She grasped the powers of punishment and award, controlled the state, and made her own judgments as to policy decisions.” From a traditionalist perspective it becomes evident that Wu proved highly adept at palace intrigue; she supplanted her rivals, who, according to the standard historical narrative, were hideously murdered at her command.

Men and women have always been different. Society shaped men into the breadwinners, gave them the ability to progress past their social status no matter how bad of a reputation he may have had, and ultimately they have the ability to not be tied down by anyone. Women will remain loyal throughout every peak and pitfall with her husband. In the story, “The Journey of the Corpse”, it depicts the life of a man by the name of Wu Pao-an, who so desperately wants to save the life of one of his friends. He leaves his wife and one-year-old child with no home and no money so he could go out and find his friend Chung-hsiang, who was taken for ransom by barbarians. Sometimes, the need to help a friend or remain loyal to him can trump a mans loyalty to his family, as is done in Chung-hsiangs story. Later in the story, after Madam Chang, Wu Pao-an’s wife, has fought for ten years to survive all alone with her child, she has the

Primarily, Tan establishes the theme of the story through characterization. The protagonist, Jing-mei, finds it difficult to live up to the high expectations her mother has set for her. After seeing so much disappointment in her mother’s face, Jine-mei “look[s] in the mirror above the bathroom sink and when [she] saw only [her] face staring back – and that it would always be this ordinary face – she began to cry” (Tan 2). This bring Jing-mei and her mother into conflict with Jing-mei eventually screaming at her mother that “‘[she] wish[ed] she were dead. Like them’” (Tan 8). As she matures, Jing-mei becomes a little more level-headed; she then understands her mother only wants the best for her. Through diction and language, the author creates a character that is