yellow wallpaper

Charlotte Perkins Gilman’s story, The Yellow Wallpaper, portrays the life and mind of a woman suffering from post-partum depression in the late eighteenth century. Gilman uses setting to strengthen the impact of her story by allowing the distant country mansion symbolize the loneliness of her narrator, Jane. Gilman also uses flat characters to enhance the depth of Jane’s thoughts; however, Gilman’s use of narrative technique impacts her story the most. In The Yellow Wallpaper, Charlotte Perkins Gilman uses interior monologue to add impact to Jane’s progression into insanity, to add insight into the relationships in the story, and to increase the depth of Jane’s connection with the yellow wallpaper it self.

“The Yellow Wallpaper” is a short-story written by Charlotte Perkins Gilman. It was first published in 1892. This short-story is written in the first-person point of view. This helps show a collection of journal entries by a woman who is oppressed, suffering from what we now know as post-partum depression and denied a chance to express herself by her physician husband. This condition frustrates her health in the end, becoming psychotic and paranoid about any human contact, even delusional. She is locked in a solitary room for most of the story. She is only accompanied by old, peeling, yellow wallpaper. At the end of the story, the narrator talks about her freedom, further indicating the position of women at that time. This analysis of the short story focuses on the theme of gender brought forth in the story as well as the position Jane takes in furthering this theme.

The "Yellow Wall Paper "by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression. The setting of "The Yellow Wallpaper" is the driving force in the story because it is the main factor that caused the narrator to go insane.

Finally by the end of the story Jane had totally isolated herself from the rest of society. When she first got to the house Jane loved visiting the garden and walking the lane leading to the house. The garden was described as being a delicious garden. By the end of the story Jane no longer wanted to visit the garden or walk the lane. She locked herself inside the nursery and had no interaction with anyone. Both of those places symbolized unity and the community to her. Since she was disassociated from society and the garden and lane represented society, Jane isolated herself from those places also. This disassociation with society is the final stage of her illness. Now Jane has become

She has become so completely obsessed with the wallpaper that she believes it is alive. She says she can smell it when she is not there and she spends most of her time in the room with the yellow wallpaper. Throughout the second half of the story, Gilman starts referring to a woman named Jenny, who could possibly could be another personality living inside of Jane’s mind. In the last lines of “The Yellow Wallpaper,” we are led to believe that it is Jenny who is speaking. Jenny is a person inside of Jane that is being “trapped” by John and Jane, according to Gilman,“Jenny” says, "I've got out at last," said I, "in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!(320)" We do not know whether her name is Jenny or Jane, but this line explains that Jenny felt like they were being trapped in the wallpaper by John and Jane. We cannot say for sure, but this possibly could be all in Jane’s mind, and since John practiced medicine, it is possible that Jane is imagining this whole thing, and she could really be in an insane asylum. In the ending lines of “The Yellow Wallpaper,” it could also be possible that Jane commits suicide. We also could believe that she kills John as well. Jane says, “But I am securely fastened now by my well-hidden rope-you don’t get me out in the road there.(320)” We could say that Jane or

Throughout Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, the author displays the destructive outcomes of isolation, inequality, and limitations. Following childbirth and being committed to an imbalanced marriage, Gilman experienced a period of severe depression and was prescribed the rest-cure, complete bed rest and reduced intellectual activity, which stands as the basis for her short story. Due to the author’s personal experiences, she published “The Yellow Wallpaper” in 1899 to prevent other members of society from being driven to the verge of insanity and to demonstrate the kind of madness produced by the popular rest-cure. Charlotte Perkins Gilman’s work exhibits the inequitable social status of women in the nineteenth

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

     Vintage short stories are meant to entertain their readers. However, many passive readers miss the true entertainment that lies within the story in the hidden context. Most short stories have, embedded in the writing, a lesson or theme attached to them. In the short story “The Yellow Wallpaper,” Gilman demonstrates a woman who has suffered from repression and longs for the freedom from her controlling husband. Gender conflicts play a major role throughout this story. The author portrays these kinds of conflicts through the three main characters, John, Jennie and the narrator. The theme of this story is a woman's fall into insanity resulting from isolation from treatment of post-partum depression. Gilman is

With John being a “physician of high standing” (Gilman), his role in the diagnosis of the narrator supports the claim of the stereotypical woman of the household being a “domestic slave” (Treichler) to the head of the household, who is stereotypically considered a man. John uses his medical diagnosis to exert control over his wife by telling her how she is to perceive, process, and act in her life. The female narrator, at first, is compliant with his orders. However, by her continuous action of writing in her journal, she defies John’s course of treatment. She must be sly about her writing for “John will not allow her to gain possession of her own language” (Suess). The narrator knows the circumstances of what writing in her journal entails, but to gain control of her own life is worth the cost so that her husband will no longer have control over her.

In “The Yellow Wallpaper,” Charlotte Perkins Gilman creates The Mother to recollect her own personal experiences with a new fictional spin. In the short story, The Mother searches for herself to escape the oppression of her husband, while she battles chronic depression. Because in the 1800s doctors did not understand how a woman could become depressed after bringing life into the world, The Mother is thrown into solitary confinement and treated as a crazy woman and child. However through writing, The Mother is able to escape her tragic realities, along with her depression and civil barriers of being a mother and wife. Gilman paints a story embedded with a writing motif; however the wallpaper on the wall is the key symbol because it both represents The Mother’s imprisonment and the means of escape.

Charlotte Perkins Gilman wrote “The Yellow Wallpaper” to showcase the sad reality of how women are treated. The reader is introduced to the narrator and her husband John. The narrator battles with depression, but her husband thinks the illness is not serious. While staying at their summer home John picks a room for them both to stay in but the narrator feels uneasy about the room. The narrator is told to stay in the room so she can get rest and get better.

Charlotte Gilman was an ingenious woman. On the surface, her most renowned work, “The Yellow Wallpaper,” appears to be a simple journal of a women struggling with mental illness. Throughout the story, her husband, whom is also her physician, coins her state as nothing more than a mere nervous disorder. He treats her with the “rest cure.” To begin her treatment, the couple temporarily moves to an isolated summer home, and as the days pass, the wallpaper surrounding their room becomes the item for which the narrator’s distraught mind becomes fixated. On the surface, this interpretation of the wallpaper seems feasible, due to the fact that Gilman

She would write about everything that happened not to read it later but so she was more relaxed and could think a little clearer with whatever she wrote not in her mind. The whole story is her journal and she writes mostly about the wallpaper and how her husband is always gone. This journal idea is essential because we know what she is thinking and that really helps understand the story and her character better. Also, in order for her to forget about her surroundings she studies the wallpaper. This method, not unlike her husbands, just shows that she is avoiding the problem as well. She spends hours on end following the pattern of the wallpaper. The curves and patterns that go along it mystify her. This is avoidance from the obstacle at hand and she doesn't deal with them directly sometimes. However, unlike John, she always wanted to talk about her condition and other problems that they had. Her problem was when he just avoided the problem she just let it be when she should have persisted. Also, if she has an obstacle to get around, she focuses on that obstacle until she can clear it. This is shown with the lady in the wallpaper. All she thought about was the lady and how she could get her free from the wallpaper. She spent days plotting how to do so. And she persisted on it until the task at hand was completed. So although she has some traits that are the same as John's when dealing with obstacles, she also has some

Charlotte Perkins Gilman’s “The Yellow Wallpaper”, is about the internal struggle and confinement of a nameless woman. This woman confesses she is indeed not well and that her husband, John, who is a physician, diagnoses her with nervous depression. The treatment of said nervousness is where the story’s conflict arises. John decides his wife needs solitude in order to recover. He believes this solace will be found in an estate he rented. The narrator’s ultimate insanity is prompted by the isolation, denial, and self-judgment that she is forced into by her husband.

She then becomes sure that John knows of her obsession and destroys the wallpaper by biting and tearing at the paper. She eventually goes utterly insane and is convinced she is the woman trapped in the