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The Fall Of The House Of Usher And House Taken Over

Decent Essays

The short stories “The Fall of the House of Usher” by Edgar Allan Poe and “House Taken Over” by Julio Cortazar are two well known works of literature that encompass unique literary styles. Poe utilizes Gothic literature in his story, a style of writing that incorporates elements of darkness, gloom, drama, and intense descriptions. On the other hand, Cortazar uses Magical Realism and its realistic characters, setting, and fantastic and unusual events to tell his tale. Despite the two being completely different genres, they share many similar traits, specifically relating to fear. Edgar Allan Poe’s mentality was one of darkness and terror, and it is reflected in his story “The Fall of the House of Usher”. He uses an older dialect of English …show more content…

“House Taken Over” is exceptionally shorter than “Usher” and incorporates modern English and a calmer mood to express the Magical Realism in the story. Cortazar’s text is much less intense than Poe’s and uses far more ordinary and recognizable characters and setting. He tells the story of a brother and his sister Irene and the activities they do in their daily life. The plot is then shifted towards fear with the addition of the fantastic events of the supernatural beings. “I went down the corridor as far as the oak door, which was ajar, then turned into the hall toward the kitchen, when I heard something in the library or the dining room. The sound came through muted and indistinct, a chair being knocked over onto the carpet or the muffled buzzing of a conversation. At the same time or a second later, I heard it at the end of the passage which led from those two rooms toward the door” (39). The characters in “House” have an unimpressed tone when they learn of the otherworldly creatures and try to ignore it, indicating that the story is indeed written in the style of Magical Realism. “‘I had to shut the door to the passage. They’ve taken over the back part.’ She let her knitting fall and looked at me with tired, serious eyes. ‘You’re sure?’ I nodded. ‘In that case,’ she said, picking up her needle again, ‘we’ll have to live on this side’”

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