Types Of Love In Cyrano De Bergerac

From the play Cyrano de Bergerac, two of the main characters are at odds fighting to win the heart of the same girl. Cyrano and Christian play as competing romantic heroes in their story, both hopeless dreamers of love and lust, both bold in their own aspects as well as incredibly insecure all at once. They also share the quality of great loyalty, and willingness to drop anything to come to the rescue of a friend. Physically, they are opposites; Christian is beautiful, and Cyrano thinks himself an atrocity. Their intellectual capabilities are also at completely different ends of the spectrum; Christian is a bumbling fool, and Cyrano can become a master at whatever task he chooses. In the aspect of poetry and the art of words, Cyrano is a true Shakespeare, and Christian is the equivalent of a second grader at best. These characters seem to be foils and, at the same time, they are wildly alike.

By definition; love is a profoundly tender, passionate affection for another person. Love can be interrupted in many ways. Were we ever taught love or is it just a natural feeling towards a person? Some say you'll know the meaning of love when you fall in love, yet some don't believe in love at all.

While many works of fiction portray love through a utopian perspective where true love is easy to achieve, the story of Cyrano follows a failed quest for intimacy, where Cyrano’s own tragic flaws stop him from achieving the romance he dreams of. It is these same tragic flaws that help to define Cyrano as a tragic hero in Edmond Rostand’s Cyrano de Bergerac, and it is these same flaws that eventually lead to Cyrano’s tragic fall. However, some of these flaws are also the admirable traits of the large-nosed hero’s character that also help to define him as hero. Due to this fact, Cyrano is able to gain respect from others, but never truly reaches his ultimate goal of having Roxane’s love. While Cyrano never truly experiences Roxane’s

In Edmond Rostand’s play Cyrano De Bergerac, characters discuss about poetry, writings, eloquence, war, bravery and love. The main character, Cyrano is a noble man. People love him because he fearlessly shows his eloquence at the Hotel de Bourgogne Theatre one day. Since that day, everyone loves to hear his poetry and words he has to say. He is excellent in words and admired by many people. Throughout the play, Cyrano struggles with his large nose that became a stumbling block to embrace true love. Although he is homely, he should have taken the risk in telling Roxane about his love so she will not fall in love with Christian.

First and foremost is the appeal to emotions. All of the other facets of romanticism can be related to the emotional appeal in Cyrano de Bergerac. Because strong emotional appeal is perhaps the most important method used by the author to create identity with the reader, especially in romantic works, the actions which elicit the emotional responses must, then, show a great deal about the character. The character's motives and philosophies can be determined

Similarly, Roxane’s love, which results in the deaths of both Cyrano and Christian, has taught the readers that no one should shoulder the responsibility for someone else’s happiness, for it’s a really tremendous burden. Upon finding out about Cyrano’s feelings towards herself, Roxane becomes miserable, as her love has cost the lives of two men, “Your life has been unhappy because of me! Me!” (V, vi). Ultimately, Christian’s death symbolizes the death of the superficial half of the romantic figure.

Even Cyrano de Bergerac expresses fear with platonic love when he is met with the chance of seeing Roxane. Le Bret tries to convince Cyrano when he declared, “...your wit, your courage-they can earn love...I saw her face, Roxane’s, tonight during your duel. It was ghastly white. That skill, that courage got the girl. You’re half way there. Now dare to speak.” Cyrano responds “So she can laugh at this? Why, man, there’s nothing that I fear more in this world…”(31). These quotes not only show that Cyrano is very self-conscious of his nose, but he does not even attempt speak, meet with, or make contact with Roxane, unless asked to. This decision by Cyrano might be one of the most fatal decision in his life because he did not tell Roxane how he felt about her before she claimed that she had fallen in love with Christian. As well as being a precieuse, Roxane is also said to use platonic love. This is true because when Roxane was talking about Christian, and states, “...I love him. All that remains for me to say is that I’ve only seen him at the theatre”, after she has mentioned “such a man-intelligent, young, brave, beautiful”(46), she concludes qualities about Christian that can only be decided with the eyes. These quotes also explain that in Roxane’s point of view, love can be depicted in many ways, but external beauty is often the most

Because Cyrano is not confident that he can win over Roxane with his grotesque looks, he attempts to win her by collaborating his intellect and Christian's handsome face. Cyrano fears that if he announces his love to Roxane, she will laugh at his enormous nose. Although Cyrano is brave enough to fight off one hundred men, this phobia of rejection is terrifying enough to him that he is unable to tell Roxane that he loves her deeply. Cyrano feigns the love letters for Christian, who is not greatly skilled in the field of writing. This action seems to be a brilliant idea, but it causes a great beguilement since Roxane has deeply fallen in love with both Christian’s looks and Cyrano's persuasive writing.

Love is said to be one of the most desired things in life. People long for it, search for it, and crave it. It can come in the form of partners, friends, or just simply family. To some, love is something of a necessity in life, where some would rather turn a cold shoulder to it. Love can be the mixture of passion, need, lust, loyalty, and blood. Love can be extraordinary and breathtaking. Love being held so high can also be dangerous. Love can drive people to numerous mad things with it dangerously so full of craze and passion.

However strong the emotional attitude of prejudices may be in Othello, Love is the most powerful emotion and ironically the emotion that leads to the most vulnerability. Loves of all kinds are tested in the tragedy and ultimately all fail to rectify the horrible situation. Marital love for Othello and Desdemona serve as both a heaven and a hell on earth. As Othello portrays by saying,

Unlike Eros love that is solely based on a strong emotion and only being shown the good quality of each person, Philos love is based on a “give and take” where two people benefit mutually in varies way from each other. Being giving and taking equally is important in this type of love, and the concern that each partner is benefiting is essential to each partner. It can be statement in truth that Philos love is a higher type of love then Eros, where love is not just based on a strong emotion experienced before the understanding and appreciation of both partners that is gained from the pervious and continuing friendship.

Love is a feeling between two people that comes with lots of emotions, respect, commitment, trust, honesty, and many other values. In the story The Great

The Four Loves is philosophical Literature based on the different loves described in Greek thought. Consider what Lewis indicates about each one of the four loves, familial or affectionate love (storge), friendship (philia), romantic love (Eros), and spiritual love (agape), and present your own philosophical treatment for each of these. Incorporate 2 to 3 scholarly research sources for this argument essay. Use MLA citation. Create an argument that is 4 to 5 double-spaced pages, exclusive of the work cited page. Consult the Writing Rubric. Proofreads thoroughly.

According to Merriam-Webster’s Collegiate Dictionary, love is defined as “strong affection for another arising out of kinship or personal ties; attraction based on sexual desire; affection and tenderness felt by lovers; affection based on admiration, benevolence, or common interest; or an assurance of love.” In William Shakespeare’s Twelfth Night, three different types of love are experienced: friendship love, true love, and self love. Each character experiences a different type of love, and in some cases it is not what they originally expected. The twisted, yet intriguing love story allows the reader to get lost in each characters emotions and development throughout the play. Many instances of love in the play are overwhelmed with a

Love has many different meanings to different people. For a child, love is what he or she feels for his mommy and daddy. To teenage boy, love is what he should feel for his girlfriend of the moment, only because she says she loves him. But as we get older and "wiser," love becomes more and more confusing. Along with poets and philosophers, people have been trying to answer that age-old question for centuries: What is love?